Taming the Garden
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The Year in Nonfiction Cinema: 21 Highlights of 2021
A highly personal hodgepodge of interviews, essays, coverage and quotes that stayed with me throughout (despite) this information overloaded year. Crime and Punishment Jon Alpert’s HBO doc Life of Crime: 1984-2020 (DOC NYC curtain raiser for Hammer to Nail) Thirty-six years following three street criminals in Newark, NJ culminates in one powerful, tightly-edited, two-hour journey. Stanley Nelson and Traci A. Curry’s Showtime doc Attica (interview with Curry for Filmmaker magazine, interview with former inmate Al Victory for Documentary magazine) A clear-eyed revisitation of the five-day, real-life, made-for-TV event that resulted in “the deadliest violence Americans had inflicted on each other in a single day since […]
by Lauren Wissot on Jan 6, 2022 -
What to See (Virtually and Virtually for Free) at the Full Frame Documentary Film Festival
After canceling last year’s festival Full Frame is back in virtual form this June (2-6) for its 24th edition. And because the Durham-based fest is probably as famous for its Southern hospitality and intimate atmosphere (that naturally leads to a wealth of networking opportunities) as it is for its stellar cinematic selections, I had to wonder if capturing the fest’s spirit online would even be remotely (no pun intended) possible. But then I realized “intimacy” also implies exclusivity. And Full Frame has always been on a parallel mission to expand access to documentary filmmaking and its tools to all. To […]
by Lauren Wissot on Jun 2, 2021 -
“It Was Such a Jiggle of Consciousness, Such a Beautiful Monstrosity…”: Salomé Jashi on Her Sundance-Debuting Taming the Garden
Salomé Jashi is not a name I was familiar with before catching her exquisitely crafted Taming the Garden, which made its Sundance debut on January 31 in the World Cinema Documentary Competition. That said, the Georgian director (and founder of not one but two production companies), whose 2016 doc The Dazzling Light of Sunset took top honors at Visions du Réel, is certainly a prolific filmmaker I’ll now be keeping an eye out for. With her latest, Taming the Garden, a “cinematic environmental parable,” Jashi weaves together a series of perfectly composed shots, containing the lush magical nature on the […]
by Lauren Wissot on Feb 1, 2021 -
Sundance 2021 Critic’s Notebook 3 (Vadim Rizov): El Planeta, Luzzu, Taming the Garden
I generally strive to be a well-informed viewer; in the case of Amalia Ulman’s El Planeta, however, I was perhaps better served by going in uncharacteristically ignorant. I didn’t really know anything about Ulman besides the fact that she’s a performance/video/web-artist, so I wasn’t picking up on any of her debut feature’s connections to the personas developed on Instagram, galleries et al.. Instead, Ulman’s debut feature, shot in the town of Gijón, where she grew up, registered as exactly the type of movie I like, a droll comedy formally descended from Éric Rohmer. Rohmer’s legacy doesn’t just lie in delicately shaded […]
by Vadim Rizov on Jan 31, 2021 -
“We Had Found Ourselves in the Fairytale”: Director Salomé Jashi | Taming the Garden
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? By the start of 2020 we had completed filming and had already started editing. Together with the editor Chris Wright, we were shaping a new world where nothing would be stable, nothing and no one could be trusted, where trees could move. We were half way through editing in Berlin, building this surrealistic world, an unreal world, when the pandemic struck. And suddenly, it was as if we were living in our film or our […]
by Filmmaker Staff on Jan 31, 2021 -
“At Times Calm, at Times Violent”: DPs Salomé Jashi and Goga Devdariani on Taming the Garden
Trees represent so much in Salomé Jashi’s scintillating documentary Taming the Garden. On the surface its an exploration of a former Georgian prime minister’s obsession with uprooting ancient trees and transporting them to his estate across the Black Sea. Digging deeper, it explores the immense class disparity and infringements of small communities and their local histories. Jashi and her co-cinematographer Goga Devdariani walk us through how they framed trees as the “protagonist” of their film and the multilayered impact of their subjects as images. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the […]
by Filmmaker Staff on Jan 31, 2021
