Tectonics
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Unknown Pleasures: Viewing U.S. Indie Cinema From Afar
Catering to virtually every niche, Berlin offers some 70 film festivals each year. Since 2009, the first on the calendar has been the Unknown Pleasures Festival. Held during the first two weeks of January at the historic Babylon Cinema in former East Berlin, it is a work of love run entirely by three enthusiasts of US independent cinema, providing a sorely needed platform for recent American arthouse films. This year’s edition opened on a disappointing note with the German premiere of Michel Gondry’s The We and the I. Typically saccharine and contrived, Gondry’s latest portrays a group of Bronx teens […]
by Giovanni Marchini Camia on Jan 17, 2013 -
LOCARNO CRITICS NOTEBOOK #2
Philosophical musings on the nature of time, an unlikely friendship between a sexy Cali chick and an elderly woman, a bizarrely fast-forwarded comical look at a very sad life, and an indictment of systemic oppression in China: these are the subjects of the four films from Locarno’s main competition (“Concorso internazionale”) that I’ve caught over the past few days. First on the docket is Peter Mettler’s intriguing but disappointing—relative to his other work, at least—The End of Time, an epic non-narrative film about the multitude of perspectives that render an objective definition of linear time meaningless. At times expressive and […]
by Adam Cook on Aug 8, 2012
