Ted Hope

IFP ANNOUNCES DISTRIBUTION LAB; NARRATIVE LAB DEADLINE EXTENDED

In a press release sent out today, the IFP has announced that they’ve expanded their Independent Filmmaker Labs to include distribution. In collaboration with Ted Hope and Jon Reiss, the Distribution Lab will take 20 projects (10 docs, 10 narratives) and gives them a year-long fellowship to assist the filmmakers with marketing and distributing their films. Filmmakers will receive, among other things, year-round access to IFP staff and Lab leaders, one-on-one mentorship with working producers and a five-day Completion Lab. To learn more about the Lab and its benefits read the full release below. Also on the IFP front, the […]
by Jason Guerrasio on Mar 30, 2010
TIME MACHINING GOOD MACHINE

Last week when I intro’d a piece on Don Hahn and Peter Schneider’s Waking Sleeping Beauty, I wrote that every mid-career filmmaker must desire at some point a better record of his or her early days. In that vein, I came across on Ted Hope’s blog this little excerpt of a TV profile on his production company with James Schamus, Good Machine. It’s a great blast from the past, especially watching Good Machine staffers bustle through their office, stacked with papers and scripts and lined with posters, on West 25th. Needless to say, while this may be almost two decades […]
by Scott Macaulay on Mar 29, 2010
A Thousand Phoenix Rising

Following is the text for Ted Hope’s keynote address at the Film Independent Filmmaker Forum on September 27, 2008. Thanks to Ted for allowing us to reprint his speech. A THOUSAND PHOENIX RISING How The New Truly Free Filmmaking Community Will Rise From Indie’s Ashes I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis. The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an […]
by Jason Guerrasio on Sep 27, 2008
PIRACY, SWARMING AND THE PARADIGM SHIFT OF BATTLESTAR GALACTICA

Producer Ted Hope emailed me about this essential three-part series by Mark Pesce entitled “Piracy is Good? How Battlestar Galactica Killed Broadcast TV.” It’s from May, 2005, but it’s still an utterly relevant essay on how television producers can successfully adapt to a BitTorrent world in which audiences are in control of the process of distribution. Pesce’s predictions are provocative — he believes, for example, that the broadcast networks are soon to morph into high-powered ad agencies as opposed to content distributors — and I’m not sure I agree with all of his advice to producers regarding the content of […]
by Scott Macaulay on Feb 5, 2006
1000 BLOODY RED PIECES OF SARAH REDUX

After I posted Ted Hope’s movie pitch, 1000 Red Pieces of Sarah, below, Hope received this email alerting him to a fictional competing project from someone who prefers to be referred to as “an anonymous source”: “Hate to blow your bubble, but (off the record) Michel Gondry is directing the almost exact same movie as a co-production between Palm, Res Magazine, and Tokion Magazine, who has a first look deal with Nathan Hornblower, who controls the underlying rights to the autopsy reports of Eric Red’s victims. Additionally, Governor Schwarzenegger and Ed Pressman are still squabbling over Conan royalties, and the […]
by Scott Macaulay on Jan 24, 2006
1000 BLOODY RED PIECES OF SARAH: A FILMMAKER BLOG MASH-UP

Producer Ted Hope, who travels to Sundance this week with two films — Friends with Money and The Hawk is Dying — emailed to say that he’s been reading this blog and noticing certain subcurrents linking the various posts, observing that people, things and ideas are shape-shifting between fiction and fact within our cultural landscape. He’s come up with a fictional movie pitch encapsulating his thoughts which he forwarded to me, and I’m reprinting it below: “Okay it goes like this: A screenwriter who alleges to be Eric Red’s unevil twin is hired to adapt a story of a drunk […]
by Scott Macaulay on Jan 19, 2006
THE QUIET OF A KIDNAPPING

Ted Hope (who penned the Highsmithian title above) forwarded this email from director Barbet Schroeder regarding the disappearance of a friend of his in Iraq: Dear friends, Sorry to bother you with my own home made spam but it is unfortunately the only thing I can do for now. My close friend Florence Aubenas has disappeared in Bagdad a month ago. No news whatsoever since then. She was doing her job as a journalist for the daily paper “Liberation”. Everybody in France knows about it but I see nothing in the English speaking press. The only protection I can provide […]
by Scott Macaulay on Feb 4, 2005
INDIE PRAXIS

Filmmaker readers should check out two essential articles in the Village Voice this week by friends and colleagues Anthony Kaufman and Ted Hope. Both deal with the relationship between our current political climate and the state of indie filmmaking today. Kaufman, who gives up his “NY Scene” column in our magazine this month due to his move to Chicago, asks the question, “Reagan-era callousness sparked an indie film renaissance. Will Bush 2 inspire another?” Kaufman’s piece winds its way through discussions with Christine Vachon, James Schamus and Jeff Levy-Hinte before concluding with a trenchant inquiry by HBO’s Colin Callendar: “Whether […]
by Scott Macaulay on Jan 12, 2005

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