Lines are a bit of a theme at the Jihlava International Documentary Film Festival. There are those you expect, greeting you in front of screening halls, pop-up food stands, restaurants and the wobbly information desks in the cramped festival center—all reminders that this quaint Czech town of 50,000 people was not built to play host to a film festival of international renown. Then there are lines of the less obvious sort, like the swirling white chalk marks on the pavement that connect the various festival locations—an act of “environmental installation,” created annually since 2005 by local artist Vit Kraus using […]