Cinema Eye Honors announces today its first awards announcements for 2023. The organization, now in its 16th season, recognizes outstanding artistic achievement in the realm of nonfiction and documentary films and episodic works. Specifically, today’s announcement includes the nominees in five Broadcast categories, the annual Short List (which spotlights 10 of the year’s most distinguished documentary films) and the Legacy Award recipient for 2023. Leading the pack in the Broadcast Film and Series category with three nominations is HBO’s Four Hours at the Capital, which details the January 6 riot. Following closely behind with two nods is the second season […]
by Filmmaker Staff on Oct 20, 2022I’ll keep the establishing premise brief: all articles on every platform are coronavirus-predicated for the unforeseeable future, so no need to belabor that prompt. I almost never watch movies at home: with a tiny attention span, I need the screen to be bigger than me and erase peripheral vision—and in NYC, until very recently, I had the unbelievable luxury of a plethora of big-screen rep viewing to choose from. Now I’m bunkered in a roommate-emptied apartment, pursuing my chosen viewing path for maximal self-soothing distraction: rewatching a personal canon of (mostly) obvious titles I haven’t seen in ten to 20 […]
by Vadim Rizov on Apr 1, 2020Martin Scorsese famously considered becoming a priest before taking another path, and he clearly never lost the evangelical impulse. In the 38 years since Scorsese used his influence and finances to restore and rerelease Michael Powell’s Peeping Tom, he has done more to spread the gospel of cinema than any other director in film history, devoting countless hours to film preservation and education while simultaneously amassing a body of work that in its breadth, depth, and quality rivals that of any of the masters his scholarly efforts aspire to honor. In 2007 Scorsese embarked on one of his most important […]
by Jim Hemphill on Jun 2, 2017