The 52nd New York Film Festival
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NYFF ’14: Hill of Freedom and La Sapienza
The same trajectory through similar way stations has served Hong Sang-soo equally well from 2004’s Woman is the Future of Man onwards: ill-fated romantic and sexual encounters between men and women fueled and derailed by epic soju consumption, meetings which repeat with a disconcertingly slight degree of difference across the same locations. From such modest materials, the tone has swerved from potentially inconsequential farce (Like You Know It All, In Another Country) to the recent dourness and cyclical/purgatorial futility of The Day He Arrives, Nobody’s Daughter Haewon and Our Sunhi. For detractors, this reliance upon nearly interchangeable plots is an […]
by Vadim Rizov on Sep 26, 2014 -
Down in the Boondocs: The NYFF’s Go-To Films (I)
The expansive New York Film Festival is no longer the greatest-hits affair of three decades back when it was built around 20-25 titles, a majority of which were what had been on display at the previous Cannes. The arrangement was a gift and a curse: manageable, for both journalists and completists, but limited. I remember what a production it was when the fest dared to add a lowbrow Hong Kong movie by one Jackie Chan. Now there are lots and lots of strands, which cover a variety of genres and niche audiences — followers of the avant-garde and new technologies, […]
by Howard Feinstein on Sep 26, 2014 -
The 52nd New York Film Festival: An Overview
Starting tomorrow and continuing through October 12, the 52nd edition of the New York Film Festival offers residents the chance to get a leg up on some of the year’s most anticipated festival titles. As usual, the main slate is claiming much of the attention, sporting as it does the technical world premiere of Gone Girl — screened for a small branch of the press corps but not for the public yet; no less than eight screenings have been scheduled — and, nearly two months before release, P.T. Anderson’s equally wildly anticipated Inherent Vice. There is, as always, more to […]
by Vadim Rizov on Sep 25, 2014
