Whether Doctor Frankenstein likes it or not, the zombie story has always belonged to women. Ever since teenaged political radical Mary Shelley (daughter of feminist pioneer Mary Wollstonecraft) poured her maternal anguish into the party game ghost story that eventually became Frankenstein, this cultural lodestar has come heavy with feminine, not to mention feminist, valences. Perhaps it’s no wonder, then, that when Elsa Lanchester rose from the dead in 1935, screaming her way off the slab and quickly back into the grave again in James Whale’s Bride of Frankenstein, she herself birthed countless generations of rictus rebel daughters in under […]
by Payton McCarty-Simas on Mar 18, 2026
In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the subconscious ether. She rasps about the sequel to her most iconic work, Frankenstein, that she never got to write before she died in 1851. What would this hypothetical book be, she wonders: “Is it a horror story, a ghost story, or, most frightening of all, a love story?” What follows is a cat-and-mouse road movie, a jewel-toned Jazz Age thriller, a romantic caper following Frankenstein’s monster—who goes by […]
by Greta Rainbow on Mar 9, 2026
“Life doesn’t have punch lines or a plot. It unfurls in ways that are somewhat random,” says Laurie Anderson. We’re sitting in a small room with fluorescent lighting and acoustically challenged walls. Anderson is wrapping up her last morning at the San Sebastián Film Festival with her newest hit, Heart of a Dog. She isn’t happy I showed up for the interview without having seen her film. I wasn’t happy myself, having missed the screening after several bus route missteps when I arrived in town the night before. If I hadn’t missed the film though, I wouldn’t have gotten the […]
by Taylor Hess on Oct 6, 2015