What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? “Racing Extinction is like The Avengers but real, but you might want to bring Kleenex.” There’s an annoying film industry “truism” that a director’s second film after a successful first will be a bust. A well known and respected Hollywood director told me, “Don’t even try to make another movie after The Cove, you’ll never top that one.” We didn’t break any box office records with The Cove but […]
by Filmmaker Staff on Jan 22, 2015Louie Psihoyos started out as a still photographer for National Geographic. He won an Oscar for his first feature length documentary: The Cove, which took an unflinching look at the slaughter of dolphins in Japan. He is now starting work on his next film, The Singing Planet, which will be shot underwater using extraordinary sound recording advances. He took a moment to talk with me about his films and his work as an environmentalist. Filmmaker: How did you get interested in still photography? How did you start working as a photographer? Psihoyos: I loved making art when I was a […]
by Alix Lambert on Oct 3, 2011One of the most puzzling moments from last night’s Oscars came during the Best Documentary acceptance speech. When it came time for The Cove director Louie Psihoyos to speak he found himself in front of a dead mic. Here’s Psihoyos’s acceptance speech, which AJ Schnack at All These Wonderful Things (always on top of the doc news) posted. We made this film to give the oceans a voice. We told the story of The Cove because we witnessed a crime. Not just a crime against nature, but a crime against humanity. We made this movie because through plundering, pollution and […]
by Jason Guerrasio on Mar 8, 2010Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Alicia Van Couvering interviewed The Cove director Louis Psihoyos for our ’09 Sundance Film Festival coverage. The Cove is nominated for Best Documentary. Unlike other films playing in our three-part look at crossover artists at Sundance, The Cove is not playing in New Frontier, but in the Documentary Competition, and that’s despite its director’s non-traditional background. Louie Psihoyos was one of the world’s top-ranked photographers, a staff member at National Geographic […]
by Jason Guerrasio on Feb 18, 2010“A dolphin’s smile is nature’s greatest deception.” That’s a line given in the beginning of Louie Psihoyos’s gripping documentary, The Cove. And the man who says it, Ric O’Barry, is one of the most intriguing subjects in a doc you’ll see this year. Ric O’Barry captured and trained the five female dolphins that played Flipper in the 1960s TV series. He lived twenty steps from them for close to ten years. But everything changed when Cathy, the lead Flipper, committed suicide in O’Barry’s arms. The next day he was arrested for trying to free a dolphin from a marina and […]
by Jason Guerrasio on Dec 8, 2009Unlike other films playing in our three-part look at crossover artists at Sundance, The Cove is not playing in New Frontier, but in the Documentary Competition, and that’s despite its director’s non-traditional background. Louie Psihoyos was one of the world’s top-ranked photographers, a staff member at National Geographic who had traveled the world taking portraits of the world’s most famous people and abstract concepts (you try photographing “science.”) He was also an avid diver who witnessed year by year the physical destruction of the world’s oceans. He and his friend Jim Clarke, founder of Netscape and WebMD, decided to form […]
by Scott Macaulay on Jan 18, 2009[PREMIERE SCREENING: Sunday, Jan. 18, 3:00 pm — Temple Theatre, Park City] The inventor and venture capitalist Jim Clark and I have been dive buddies for the last 10 years but over the last 35 years of diving we have been witnessing the catastrophic collapse of the reefs and sea-life abundance. Jim and I decided to do something about it by setting up a nonprofit foundation, the Oceanic Preservation Society, to make ocean-based films and photographs to create awareness and inspire change. I have been a photographer for decades, mostly for National Geographic magazine, but I had never made a […]
by Jason Guerrasio on Jan 18, 2009