The primary subject of The Creation of Meaning — the second feature by the delightfully named Simone Rapisarda Casanova — is the equally delightfully named Pacifico Pieruccioni, who lives in a village at the very top of the Tuscan Alps. He makes a living by selling his goats’ milk, walking briskly from his home down to a tiny locker built into the woods so customers don’t have to walk all the way up the mountain to him. In the dark forest, it seems as if the liquid is glowing, as if the light bulb Hitchcock put in a glass of milk in Suspicion had been employed here. […]