The Jinx
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Can’t Look Away: How True Crime Series are Edited
I shouldn’t have been surprised by the number of cadavers I saw—the four-day cruise was, after all, never about the destination (Cozumel?) and entirely about the journey, hundreds of miles through legally murky international waters with the promise of a lethal formula: “Hot sun. Cold cases. Unforgettable vacation.” A marine offshoot of the hugely successful CrimeCon, the 2023 CrimeCruise promised lectures from famous crime scene investigators, podcast hosts and a self-described “walking lie detector” to an almost entirely white, female audience that preferred to avoid sunburns, instead spending time in windowless lecture halls interpreting stippling patterns and keyhole-shaped entry wounds. […]
by Daniel Garber on Jun 27, 2024 -
How to Cut a Trailer Redux: The Styles and Trends Reshaping the Art of Film Advertising
The following article was originally published in Filmmaker‘s Fall, 2020 print edition. We’re drowning in entertainment. Dozens of streamers, from mainstream catnip like Netflix and Disney+ to niche platforms like the Criterion Channel, each offer hundreds of feature films, limited series and TV shows. National theater chains like AMC and arthouse cinemas like the Alamo Drafthouse—at least before and hopefully after the pandemic—serve up fresh options every week on more than 40,000 screens. And legacy networks on basic cable, from NBC to TBS, continue to deliver a firehose of prerecorded content and live broadcasts every day. How to choose? Simple: […]
by Stephen Garrett on Jan 14, 2021 -
Episodic and In Your Ears
While the migration of independent filmmakers to the small screen is a much remarked about phenomenon, another entertainment platform, one growing even faster than television, is opening its loving arms to independent directors, screenwriters and producers. Podcasting, for its first decade or so, has consisted primarily of interview shows, like Marc Maron’s WTF, and the occasional fresh approach to journalism, like Serial. But now it’s moving more and more into the fiction world and creating alluring creative opportunities for independent storytellers. Founded in 2014, Gimlet Media has been making a name for itself producing shows like StartUp (about starting a […]
by Peter Rinaldi on Jan 18, 2017
