“What we’re selling is freedom,” says a digital media executive played by Demi Moore, of the promise of virtual worlds in Disclosure (1994). “We offer through technology what religion and revolution have promised but never delivered: freedom from the physical body; freedom from race and gender, from nationality and personality, from place and time.” Based on a Michael Crichton novel, the movie explores in classic Crichton fashion a theoretically possible but highly unlikely scenario—in this case, a 32-year-old single woman who sexually harasses her married 50-something male subordinate; it is also one of a number of features from the 1990s […]
by Joanne McNeil on Jan 18, 2022A 2nd unit DP must be a chameleon who can bend their own style to the shape of the main unit cinematographer. For Australian DP Ross Emery, that can mean replicating the regimented classical approach of someone like William Fraker on one picture, then recreating the instinctual fluidity of Dariusz Wolski on the next. For his latest project, Marvel’s Shang-Chi and the Legend of the Ten Rings, Emery once again finds himself emulating main unit cinematographer Bill Pope, who he collaborated with on The Matrix trilogy two decades ago. Emery —whose career includes main unit DP credits on The Wolverine […]
by Matt Mulcahey on Oct 5, 2021In our effort to present to you, our dear readers, with links and contacts you won’t find elsewhere, I present the following sincere e-mail received by a reader of this blog, who has crafted a Flash animation site promoting both herself and Keanu Reeves and The Matrix: “Hello, first congratulations for your website :-) I present myself: I am a 36 year old young woman, impassioned by the cinema, Internet and Flashmx. I invite you, by the present one, to come to visit my 4 galleries of animated photographs, dedicated to the Matrix trilogy and Mister Keanu Reeves, on the […]
by Scott Macaulay on Jun 17, 2004