The Other Side of Everything
-
Fighting Eventfulness Deficit at the 2018 San Francisco International Film Festival
Oakland’s Grand Lake Theatre is a 1926 Art Deco show palace that first hosted vaudeville shows and silent movie screenings accompanied by the bass-note oscillations of a Wurlitzer Hope Jones Unit-Orchestra Pipe Organ. The classic venue is symbolic of its city, which made it the ideal spot for the Bay Area premiere of a the debut feature by another Oakland icon: activist, musician and now writer-director Boots Riley, who came of age as a moviegoer at the venue. “I saw Star Wars here,” he told an audience that packed the house during the recent San Francisco International Film Festival, where the […]
by Steve Dollar on May 1, 2018 -
From Euromaidan to the Naked Cowboy: The 15th Docudays UA International Human Rights Documentary Film Festival
Covering this year’s Docudays UA International Human Rights Documentary Film Festival (March 23-30), a 15-year old event held primarily in Podil, an eclectic artists’ hub (think Kreuzberg or Williamsburg on the cusp of gentrification) and one of the oldest neighborhoods in Kiev, was an experience both endlessly inspiring and completely surreal. And though I’ve attended other fests in once communist countries (Camerimage in Poland, Karlovy Vary in the Czech Republic), my first visit to Ukraine also marked the first time at an international fest that I found myself fully aware of my otherness. (Possibly because I was the only American […]
by Lauren Wissot on Apr 8, 2018 -
The Year of the Woman: The 30th International Documentary Film Festival Amsterdam
Though it’s been half a decade since I’ve covered Amsterdam’s International Documentary Film Festival, this year’s 30th edition was a welcome reminder as to why IDFA is often heralded as the crème de la crème of doc fests. First there’s its sheer size and scope — this year, a whopping 319 documentaries were presented over the festival’s 12 days. Fortunately, these nonfiction projects of every stripe were helpfully divided into a surprisingly navigable 20 sections — everything from your standard competitions (and not-so-standard, as IDFA DocLab has both a Competition for Digital Storytelling and a Competition for Immersive Non-Fiction) to […]
by Lauren Wissot on Dec 1, 2017
