In my previous blog post I interviewed several directors of photography who are shooting material for web and television to get their reactions to the recent Canon and RED announcements. You might sum up their reactions as, “We wanted to like the Canon, but it’s too expensive!” To complete the picture, I talked to a couple of people who have worked on a number of indie films, and have worked extensively with cameras like the RED and Arri Alexa. Finishing Artist and VFX Supervisor Dermot Shane is based in Vancouver and routinely works with material from REDs, and Arri’s (both […]
by Michael Murie on Nov 14, 2011The dust is still settling from the recent announcements from Canon and RED, and many of us are trying to figure out what it all means: is the Canon too expensive? The Scarlet too complicated? Will they have a big impact, or are these cameras outside the reach of most indie filmmakers? Ultimately, we won’t know their impact until these cameras start shipping in quantity, but I asked some DP/Editors to share their initial reactions to the cameras. Max Esposito is a DSLR shooter who is looking to upgrade from the Canon 5D Mark II, but says he doesn’t think […]
by Michael Murie on Nov 8, 2011