I first was introduced to the incredible talents of Emmy Harrington on the set of Caveh Zahedi’s The Show About The Show, where she plays “Slut Machine,” and witnessed, first hand, her ability to adapt to all types of run-and-gun shooting environments and unorthodox directing styles and deliver a great performance take after take. You can also see her work in shows like High Maintenance and Jessica Jones, and an award-winning film she wrote, directed, and stars in — Two Little Bitches — is currently making the festival circuit. I sat down with her a couple of days after directing […]
by Scott Macaulay on Jul 10, 2019Caveh Zahedi played the same edit over and over, one too many times. “I think I’m gonna go, man,” I grumbled. I’d reached my breaking point. The idea of a rough cut that gets whittled down doesn’t work for Zahedi. He needs to sand, polish and lacquer each piece of wood before deciding if he even wants to use that wood. Basically, he fine-cuts each take. Why, I’ve asked countless times, can’t we just choose the best take and work it in? His answer: how can we tell what the best take is unless we see them all working at […]
by Peter Rinaldi on Apr 21, 2016