The Sin of Nora Moran, True Colors, The Carole Lombard Collection: Jim Hemphill’s Home Video Recommendations
Shifting points of view, complicated flashbacks, elaborate optical effects and a fluid approach to objective reality are not typically characteristic of American movies released in the early sound era, which makes Phil Goldstone’s 1933 picture The Sin of Nora Moran a real discovery. Goldstone was a producer and director who worked on Hollywood’s “poverty row,” the section of studios located around Sunset and Gower that cranked out extremely low budget features designed to fill out the bottom halves of double bills; like Frank Capra, Edgar G. Ulmer, and several other filmmakers who spent all or part of their careers on […]
by Jim Hemphill on Jul 31, 2020