Covering this year’s hybrid IDFA from home was both blessing and curse. On the downside, I wouldn’t be attending any screenings in one of the most gorgeous cinemas in the world – Amsterdam’s now century-old (and now “Royal Theater”) Tuschinski — nor experiencing all the new media wonders of IDFA DocLab. (Even with the free online exhibition running from November 19-28 I had to forego all VR as I don’t have a headset on hand.) Then again, I did avoid the city’s pandemic-induced partial shutdown (turned closing weekend lockdown) while still having access to the pretty packed P&I library. This […]