From The Walking Dead and Punisher to The Wolf of Wall Street, Small Engine Repair, The Many Saints of Newark, and this month’s King Richard, Jon Bernthal has established himself as the hard-working, all-in, go-to, actor’s-actor of the moment. In this episode, he talks about some of the elements he uses—generosity, energy management, isolation, fear-as-fuel, group strength—to do his work, the one thing all great directors have in common, why he’d be just as grateful doing regional theater, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And […]
by Peter Rinaldi on Nov 16, 2021She claims she doesn’t know how to talk about her process, but on this episode, Cristin Milioti eloquently lifts the hood and let’s us peek in on the engine fueling her incredibly varied work, across all genres on the stage and screen, like the Broadway musical Once, How I Met Your Mother, The Wolf of Wall Street, the USS Callister episode of Black Mirror, this year’s Modern Love and the huge Sundance hit Palm Springs, which just dropped on Hulu and in drive-ins across the nation. She talks about feeling protective of her characters, why it’s necessary to let go […]
by Peter Rinaldi on Jul 14, 2020Stephanie Kurtzuba plays Irene, wife of Frank Sheeran (Robert De Niro), in The Irishman. It’s her second film with Martin Scorsese. She played stockbroker Kimmie Belzer in The Wolf of Wall Street. She talks about working with the legendary filmmaker and what sets him apart as an actor’s director. She also explains her process of extracting preconceptions made in the audition, and she gushes about her first love–the rehearsal room, but tells us why, despite her heart being on the stage, she wouldn’t give up working for the camera if she could. Plus much more! Back To One can be […]
by Peter Rinaldi on Nov 26, 2019If you’re going to borrow, borrow from yourself… For an example, check out this well-done video by Milad Tangshir that finds visual, editing and storytelling parallels between Martin Scorsese’s 1964 student short, It’s Not You, Murray and his most recent film, The Wolf of Wall Street.
by Scott Macaulay on Jan 1, 2015The Wolf of Wall Street is chockfull of successes. With its performances, pacing and formality resting comfortably on the more transparent end, a new video demonstrates that its visual effects department is no slouch either. Seamless, just the way they should be, the VFX renderings transform Aunt Emma’s probable American brownstone into a white-washed London flat, and hangar siding into the waterways of Venice. Watch above.
by Sarah Salovaara on Jan 13, 2014