Walking around the opening party you couldn’t help but hear the word “rebirth” a lot. As the most heavily pregnant person in the room, this made me jump, but I soon joined in the celebration. The 66th Edinburgh International Film Festival had just opened with William Friedkin‘s Killer Joe, and the evening was a definite success. Not everyone liked the film — there were questions about on-screen violence towards women in particular — but everyone agreed that as an opener, new festival director Chris Fujiwara had hit the right note. Smacked it right on the kisser, you might say. There […]
by Hope Dickson Leach on Jun 24, 2012The title is ironic: The conversation never happens. (Kevin’s mom suggests it in a voiced-over letter to her husband, but, if it is even sent, it is — seemingly — ignored.) Eva (the chameleon-like Tilda Swinton, brilliant as ever) and Franklin (John C. Reilly) are the parents of a troubled boy who tortures his mother with line-crossing defiance. (He is played by three kids of different ages. The principal action revolves around the oldest, perfectly portrayed by Afterschool’s Ezra Miller as an intimidating glop of arrogant negativity.) Eva never wanted the unplanned child. She yells much more loudly than necessary during childbirth and appears desolate in her hospital bed. […]
by Howard Feinstein on Dec 9, 2011That was quite surreal. I’ve been to just two events like that before, so the red carpet shenanigans, seeing so many “movie stars” and directors you’ve listened to on DVD commentaries, and being in a room with so many people you’ve tried to get financing from – is really a strange experience. The kind that makes you all wild eyed and sweaty palmed. But mostly I was really truly just very happy to be there and felt very safe that we weren’t going to win anything and that I was just lucky to be included, to be in the group, to […]
by Mike Mills on Dec 1, 2011Spend even the shortest amount of time in the delightful and disturbing Scottish capital and you begin to read native Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde as a metaphor for the city itself. Edinburgh boasts a warm and welcoming population residing in an atmosphere where an ever-present hint of menace hangs palpably in the air like its famous rainy mist. (This openness is evidenced by the fact that one early afternoon my sister and I were able to pretty much wander in to a Justice Committee hearing of Parliament debating that day’s front page news […]
by Lauren Wissot on Jun 28, 2011At the Festival Square in Edinburgh, Tilda Swinton organized and led a flash mob dance yesterday, coinciding the launch of her new charity, the 8 1/2 Foundation. From an article in the Scotsman: Gathering several hundred willing participants under the shadow of Edinburgh Castle, she led them in a soft-shoe shuffle known as At The Ball, by the Avalon Boys, originally performed by Laurel and Hardy, in an effort to create a “flash mob dance”, where a group suddenly and spontaneously start dancing in a public place. The instructions, disseminated online, were simple: watch the Laurel and Hardy clip, turn […]
by Scott Macaulay on Jun 27, 2010The 2010 Tribeca Film Festival today announced its remaining out-of-competition feature film selections in the Encounters, Discovery, Cinemania and Spotlight sections. The Festival will run April 21 to May 2. The Encounters section, comprised of 14 films, include selections include new works by Academy Award-winning filmmakers Alex Gibney and Chuck Workman, Academy Award nominee Dana Adam Shapiro, and featuring actors like Ellen Barkin, Liev Schreiber, Melissa Leo, Rashida Jones, Tilda Swinton, and many more. The Discovery section include documentaries showcasing everything from the North Pole and Congressional redistricting to a comedy tour of the Middle East. Its narrative films feature […]
by Filmmaker Staff on Mar 15, 2010Perhaps best known for her Oscar-winning turn in Tony Gilroy’s Michael Clayton and the long, fruitful collaboration she enjoyed with the late Derek Jarman, Tilda Swinton has acted recently for David Fincher, Joel and Ethan Coen, Hungarian auteur Béla Tarr, and in Andrew Adamson’s Chronicles of Narnia franchise. Her flinty, fearless performance as an alcoholic outlaw in Erick Zonca’s cross-border thriller Julia, however, truly spotlights the impressive range and cool professionalism of this adventurous, one-of-a-kind screen actress. (She also appears in Jim Jarmusch’s The Limits of Control, which opened last Friday.) We caught up with Swinton in New York to […]
by Jason Guerrasio on May 7, 2009