It’s been nearly two weeks since my participation in IFP’s Emerging Visions Program and now that the dust has settled, I can see clearly how valuable this experience was, not only in a practical sense, i.e., the nuts and bolts of filmmaking, but also in more intangible ways. I was lucky to have the opportunity to participate in the Emerging Narratives and the Emerging Visions Program, back to back, with my feature film script The Whispering Giant. Both IFP programs offer filmmakers a chance to pitch their projects in a “safe” environment, where they can be critiqued by an industry […]
by Kim Spurlock on Oct 18, 2012From the shards of our experience shooting interviews and seeing movies at Sundance 2011 comes Jamie Stuart’s “Masterpiece.” With appearances by: Miguel Arteta, Alrick Brown, David Carr, Paddy Considine, Nekisa Cooper, Phife Dawg, Danfung Dennis, Andrew Donsunmu, Sean Durkin, Liz Garbus, Paul Giamatti, Megan Griffiths, Colin Goddard, Rutger Hauer, John Hawkes, Azazel Jacobs, Miranda July, Tom McCarthy, Peter Mullan, Adepero Oduye, Elizabeth Olsen, Jessica Oreck, Lindsay Pulsipher, Michael Rapaport, Calvin Reeder, Dee Rees, Amy Seimetz, Kim Wayans, Vilmos Zsigmond. Shot on the Canon 7D. Download the Quicktime here. (Contains adult language — NSFW.) Look for the longer edits of these […]
by Scott Macaulay on Feb 7, 2011Below, Jamie Stuart sits down with writer/director Tom McCarthy and actor Paul Giamatti to discuss their very-well-received Sundance premiere, Win Win, and the difficulties of dramatizing virtuous people.
by Scott Macaulay on Jan 24, 2011Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. James Ponsoldt interviewed Rachel Getting Married director Jonathan Demme, as well as other principals from the film, to dissect the creation of the title character for our Fall ’08 issue. Rachel Getting Married is nominated for Best Actress (Anne Hathaway). Jonathan Demme has made a career out of revealing the humanity in oddballs, eccentrics, zealots and rock stars. As a storyteller, Demme doesn’t judge. He trusts that if you listen to […]
by Jason Guerrasio on Jan 19, 2009Days. It’s always about time in terms of shooting, especially on a smaller budget. I usually move pretty fast when I’m shooting. I like the energy, but I don’t like to be rushed. Being on a set is a fluid environment. Sometimes you will move faster than expected and sometimes (most times) you will move slower. So whenever you have a little safety/time cushion it’s always a good thing. It allows for a bit more creative discovery along the way. [PREMIERE SCREENING: Wednesday, Jan. 23, 9:30 pm — Eccles Theatre, Park City]
by Jason Guerrasio on Jan 18, 2008