On January 6th, 2023 in Washington, DC, the advocacy group Vet Voice stage an elaborate mass role-playing scenario inspired by the attempted insurrection in the Capitol two years before. The loser of a presidential election declares the result illegitimate and encourages the public to rise up, and an extremist militia group with sleepers inside the National Guard does just that. Within the simulation, one side roleplayed the incumbent presidential administration (with former Montana governor Steve Bullock portraying the president), while the other was the terrorist “Red Cell” attempting to stop Congress from certifying the election results. If the Red Cell […]
by Dan Schindel on Aug 1, 2024First you get radicalized, then you get professionalized—a familiar trajectory Chris Smith’s Devo retells in a familiar idiom. After sitting down with dour conspiracy theorist Michael Ruppert for 2009’s Collapse, the American Movie director didn’t make a feature for eight years. He returned to begin his populist doc era with 2017’s Jim & Andy, which made generous use of previously unseen videos of Jim Carrey acting like a maniac “in character” as Andy Kaufman on the set of 1999’s Man on the Moon. In present-day interviews, Carrey described his dilemma: having given a performance at a relatively young age that confirmed […]
by Vadim Rizov on Jan 25, 2024Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Attention goes hand […]
by Filmmaker Staff on Jan 16, 2014AN IRAQI ROLE PLAYER IN TONY GERBER AND JESSE MOSS’ FULL BATTLE RATTLE. COURTESY MILE END FILMS. A strong partnership always relies on both individuals bringing different things to the table, and documentary filmmakers Tony Gerber and Jesse Moss certainly draw on diverse backgrounds for their creative collaboration. New York City native Gerber began his career directing alternative theater and making films for theatrical productions, and went on to work with conceptual artist Matthew Barney on Cremaster III (2002) and Drawing Restraint 9 (2005). He directed the short film, Small Taste of Heaven in 1997, and his debut fiction feature, […]
by Nick Dawson on Jul 9, 2008