A threesome in 3-D and unsimulated sex in a simulated cinematic hyper-reality: that’s what Gaspar Noé’s latest film Love has been promising for months. At Cannes in 2014, producer Vincent Maraval teased audiences with explicit promo materials, pledging plenty of penis, nipple and onscreen ejaculate. While the film has all three in abundance, it turns out Love is more about loss than sex. The surprisingly sentimental tale begins with Murphy (Karl Glusman) receiving a desperate voicemail message from an ex’s mother. Murphy’s an American in Paris with a French girlfriend, crying baby and New Year’s Day hangover — a trifecta about […]