Vinegar Syndrome
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“A Generation of Artists Were Lost”: Roe Bressan and Jenni Olson on the Newly Restored Gay USA
Filmed over one continuous 1977 day at Pride parades across San Francisco, Chicago, New York, San Diego and other metropolises, Arthur Bressan Jr.’s Gay USA is a tapestry of anecdotes, embraces, misconceptions and confused onlookers. It not only captures the optimism and palpable ecstasy of the LGBT attendees of Pride ‘77, but uses the homophobic agenda of Anita Bryant in Dade County, Floridato provide political context as to why these happy men, women and non-binary folks galavanting along Castro Street and Greenwich Village still had very much at stake. Many of Bressan’s films outlined the political reality of being gay […]
by Natalia Keogan on Jun 25, 2019 -
Sweet Sweetback’s Baadasssss Song, the Films of Jamaa Fanaka and Personal Problems: Jim Hemphill’s Weekend Blu-ray Picks
One of the most formally and politically groundbreaking movies of the early 1970s, Melvin Van Peebles’ 1971 trailblazer Sweet Sweetback’s Baadasssss Song, is now available on Blu-ray from specialty label Vinegar Syndrome, a company doing more to preserve the heritage of America’s outlaw independent films than any other. Sweetback is one of the more historically significant titles in the company’s catalogue, a picture so influential that its innovations are probably less readily apparent to contemporary audiences than they should be — though the propulsive energy and stylistic audacity that drive the movie still set it apart from its many imitators. […]
by Jim Hemphill on Jun 29, 2018 -
Neon Images and Dopamine-Devouring Aliens: Restoring Slava Tsukerman’s Cult Classic, Liquid Sky
For the past three decades, midnight movie staple Liquid Sky could only be seen during infrequent 35mm screenings and on out-of-print VHS and DVD editions. If a film fan actually saw Slava Tsukerman’s science fiction spectacle about downtown New York City residents coming into conflict with dopamine-devouring aliens, their experience of the film — known for its striking neon images and “electronic circus” soundtrack — was marred by aging film stock or subpar transfer. Enjoying the classic at the full audio-visual potency of its 1982 release was impossible with the options available. “Liquid Sky was kind of in the same […]
by Jon Hogan on Nov 24, 2017
