I remember the first time I saw Sherman’s March and realized how revealing autobiographical documentary could be. Filmmakers who turn the camera on themselves run a high risk of self-indulgence, but when done right their films can intimately show the resilience of the human spirit, especially when their challenges appear insurmountable, whether in situations as grandiose as in Ernest Shackleton and Frank Hurley’s South or as ostensibly mundane as Steven Ascher and Jeanne Jordan’s Troublesome Creek. The process of making autobiographical films can even be beneficial for the filmmakers, psychologically or otherwise, provided they place therapy on a backseat to […]
by Randy Astle on Jan 28, 2014[PREMIERE SCREENING:Monday, Jan. 21, 3:00pm — Temple Theatre, Park City] Other than the sacrifices that you typically expect from an obsessive filmmaker (lack of sleep from creative insomnia, poor eating habits and coffee addiction, loss of friendships due to staying at the editing table for months on end), my biggest sacrifice was this: My privacy. Basically, I opened up my life to the world with my film. I had a hunch that my world was going to get really crazy and I wanted to catch it on film. The problem with that was I was in the film and that led to my […]
by Filmmaker Staff on Jan 20, 2013