“Location, location, location” could very well serve as the tagline for the Bermuda International Film Festival. Set on a paradise island surrounded by spectacular pink sand and Technicolor-blue waters in the North Atlantic, it’s only a couple hours’ plane trip from NYC (or less if you can hitch a ride with the private-jetting Mayor Mike). This gracious and warmly welcoming fest – a reflection of the country’s unbelievably gregarious and helpful population (pull out a map and you’re just as likely to have a total stranger walk you to your destination as point the way) – is now in its […]
by Lauren Wissot on Apr 10, 2012The Film Society of Lincoln Center and The Museum of Modern Art have announced the lineup for their annual New Directors/New Films festival, running March 21–April 1 in New York City. This year’s festival opens with Nadine Labaki’s Where Do We Go Now, which premiered last year at Cannes and is being distributed by Sony Pictures Classics. Also screening this year are several Sundance alums, including Gareth Huw Evans’s The Raid, Terence Nance’s An Oversimplification of Her Beauty, Joachim Trier’s Oslo, August 31st, David Hamel’s How to Survive a Plague, and Mads Brugger’s The Ambassador. The full lineup is below. For […]
by Jane Schoenbrun on Feb 23, 2012[PREMIERE SCREENING: Saturday, January 21 2:45 pm –Prospector Square Theatre, Park City] Growing up in Lebanon as a little girl, my childhood was synchronized between home and shelter. Living in a country adorned in politics, secular perturbations, and injustice, our lives evolved around continuous wars. Most of our days were spent in confinement behind sacks of sand. There were times when it was too dangerous to even leave our homes. We couldn’t go to school, we couldn’t go outside to play, and we couldn’t practice what normal childhood was. Early on, I started developing a unique relationship with the TV […]
by Filmmaker Staff on Jan 21, 2012Moral questions about science, war, justice, and ethics were at the forefront of some of the strongest international work at this year’s Cannes Film Festival. “He’s really not judgmental of his characters at all, is he?” said one party-goer of the Spanish director Pedro Almodóvar. Between bites of warm peaches and pistachio ice cream at a reception for the filmmaker’s sleek, stylish new thriller, The Skin I Live In, party-goers discussed the dark, unsettling tale of a mad scientist (played with panache by Antonio Banderas) who develops a miraculous new variety of human skin and a fraught relationship with his sad, beautiful […]
by Livia Bloom Ingram on May 31, 2011