As Filmmaker readers know from our Jamie Stuart festival coverage, we prefer cinematic approaches to fest reportage over point-and-shoot talking heads. (Although expect none of the former and more of the latter from me at SXSW this week.) Jamie has his very distinct style, and via Nowness, it’s nice to see another set of filmmakers doing something different with festival coverage. From the site: For today’s exclusive story, NOWNESS contributors and filmmaking partners Carlo Lavagna and Roberto de Paolis set out to chronicle the 61st annual Berlin International Film Festival—and came away with a highly imaginative tribute to the host […]
by Scott Macaulay on Mar 10, 2011Fassbinder and Herzog from Wim Wenders’ 1982 documentary on the future of cinema, Chambre 666.
by Scott Macaulay on Apr 10, 2010MAX MAUFF AND KRISTYNA MALÉROVÁ IN DIRECTOR VEIT HELMER’S ABSURDISTAN. COURTESY FIRST RUN FEATURES. German writer-director Veit Helmer is a true oddity, a creative mind whose films might well have been unearthed from a time capsule buried during the era of silent comedy. Born in Hanover in 1968, Helmer spent much of his childhood watching Charlie Chaplin, Buster Keaton and Harold Lloyd and by the age of 14 had already made his first film. He studied at Munich’s School of Television and Film, and made quirky shorts throughout his time there, such as the highly inventive Surprise! (1995). When Wim […]
by Nick Dawson on Feb 6, 2009