Z For Zachariah
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Thinking of Tarkovsky While Making New Zealand Look Russian: DP Tim Orr on Z For Zachariah
The settings for Craig Zobel’s 2012 behavioral experiment Compliance and the director’s new post-apocalyptic tale Z for Zachariah couldn’t be more different. The former takes place almost entirely in the claustrophobic confines of a fast food restaurant’s employees-only areas. The latter unfolds amidst lush, bucolic tranquility. Yet at the heart of both films is a study of group dynamics. Set in an idyllic valley mysteriously immune to an extinction-level catastrophe, Z for Zachariah begins as a two-hander featuring Margot Robbie as a Christian farm girl who believes she’s the last person on earth until the arrival of an atheist scientist […]
by Matt Mulcahey on Sep 4, 2015 -
“I Look Forward to Finding More Fears to Address”: Z For Zachariah | Director Craig Zobel
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Trying to name what fear I’ve confronted in making Z For Zachariah is difficult. I am starting to think the entire work of making films is just chock-full of fears to be faced. In my previous film, Compliance, I was honestly afraid of the subject matter; it was a fraught, dark, true story that needed a thought-out approach. But in making that film, I found that those fears created […]
by Filmmaker Staff on Jan 29, 2015 -
Sundance 2015, Dispatch 2: Tangerine, Z For Zachariah and Pervert Park
Sin-Dee (Kiki Kitana Rodriguez) sits on one side of a donut shop booth, her best friend Alexandra (Mya Taylor) on the other. The camera’s on the table, restricted to shot-countershot looking up, with large windows setting both in sharp urban relief against different halves of a large L.A. intersection. With rapid cutting back and forth reminiscent of the dashboard cams in Kiarostami’s 10, Tangerine‘s opening is both intimate and epic, and it’s exciting to see all this space so clearly laid out behind the two. There’s a micro story being established and simultaneously the introduction of a landscape to be explored: an instant […]
by Vadim Rizov on Jan 25, 2015
