Video on Demand — December 2017
Video pick of the month
The Killing of a Sacred Deer
Yorgos Lanthimos continues doing his thing here — antisocial line readings, pitch black humor, bursts of brutality, a Surrealist flair for the absurd — this time in a forwardly Kubrickian mode. Riffing on The Shining (1980) in both form and motif, Sacred Deer shows the casually supernatural relationship between an unnamed cardiologist (Colin Farrell) and a teenager named Martin (Barry Keoghan) in a very direct fusion of Sophie’s-choice and eye-for-an eye-thriller narratives. Lanthimos’s regular DP, Thimios Bakatakis, monitors the action with gliding, symmetrical, high- and wide-angle framing, which creates the sensation that we are watching the world in a mechanized bubble, and that the gaze belongs to the mise en scène rather than any particular subject. To counter a choice line from late in the film — “It’s a metaphor, it’s symbolic” — there is nothing metaphorical or symbolic here. It is what it is, present while it’s there, gone when it’s not, and you either laugh along or curse its existence. (Blake Williams)
Three Interviews with Gus Van Sant About his Long-Take, Béla Tarr-Influenced “Death Trilogy”
“Agitating the Information”: Director Gus Van Sant on his Long-Take Columbine Drama, Elephant
“… the Way Someone Would Shoot a Film in an Architectural Magazine”: Gus Van Sant on Last Days
James DeMonaco on The First Purge, Test Screenings, Filming Guns in Washington D.C. and the Trump Administration
Back to One Podcast: Keith Poulson on Developing as an Actor in the NY Indie Film Scene.
“I Just Try to Approach It in a Teaching Way, Not an Overbearing Way…”: Bryan Spicer on Directing the TV Series, Hawaii Five-O
Sweet Sweetback’s Baadasssss Song, the Films of Jamaa Fanaka and Personal Problems: Jim Hemphill’s Weekend Blu-ray Picks
Music Video Watch: “I-95,” by Jamie Block, Directed by Onur Tukel
“Maybe It’s a Filmmaker’s Job to Look for Hope, To Find Examples of When People Do Things Right…”: Writer/Director Debra Granik on Leave No Trace
