At turns mesmerizing and confounding, Ari Folman’s The Congress was one of the more talked about titles of any Cannes sidebar last year. Though Drafthouse Films scooped up the rights less than a month after its Director’s Fortnight premiere, it’s only just now making it’s way toward theaters, with an official release set for August 29. A loose adaptation of Stanislaw Lem’s The Futurological Congress, Folman’s followup to the Oscar nominated Waltz with Bashir positions Robin Wright as a fictionalized version of herself, who agrees to replicate her once commodifiable actress for a movie studio’s gain. Playing on recurrent themes of aging in the film industry, The Congress takes things one step further as it re-invisions this apocalyptic society through avatars and animation.