A new contribution to the Texas midterm battle between Ted Cruz and aspirant challenger Beto O’Rourke, this campaign ad is directed by Richard Linklater. It stars Sonny Carl Davis, something of a legend in Texas film, going back to his… Read more
Erin Sanger’s excellent SXSW-premiering short, Mutt, is online, and it’s this week’s Short of the Week. The site’s Jason Sondhi gets at what’s great about this film in his write-up, particularly citing its original way of exploring what can often… Read more
A few months ago we shared Anthony Simon’s Pure Flix and Chill, a found footage biography of the Christian movie company’s founder David A.R. White in his own unreliable words. Now we’re pleased to share Simon’s latest Christian found footage… Read more
What a beautiful trailer! Filmmaker‘s #1 most anticipated movie of the year — Barry Jenkins’s follow-up to his his Oscar-winning Moonlight — has just dropped its first, a few weeks before the picture’s Venice premiere. The intimacy, the focus on… Read more
We’re pleased to host the online launch of the trailer for Ricky D’Ambrose’s first feature film, Notes On An Appearance. D’Ambrose was one of our 25 New Faces of Film last year; writing about his film—a tersely evocative look at a young man’s sudden disappearance, and its effect (or lack thereof) on his friends—at this year’s New Directors/New Films, I noted that “consistently clipped editing keeps the tone fluid: humor is in the cuts, and the film is never needlessly dour, deliberately refusing to dutifully find its way to a neatly summarizable Statement About The Zeitgeist.” The film begins a theatrical […]
In the last few days, previously unbroadcast raw footage of a visit to the post-production facilities of The Shining has popped up online. It totals 84 minutes, although the YouTube uploader has helpfully provided a full chapter breakdown. For a tour of the studio sound stages, skip to 12:16; for a tour of Kubrick’s equipment room, skip to 27″20, and for a telephone interview with Kubrick (where he offers an interpretation of the ending of 2001!), skip to 45:24. Hat-tip to MUBI for the catch.
New York independent filmmaker Onur Tukel, whose work we have covered quite a bit at Filmmaker, has directed a music video of a song by the anti-folk singer Jamie Block. It’s a small-scale city symphony that speaks to our compulsion to distract ourselves when in the most public of spaces. Block’s new record comes out tomorrow, and, as a preview, the folks at sonaBLAST! Records have sent it along with this press statement: Jamie Block is a New York City based singer-songwriter who is known for his ramshackle, genre bending music. In the 1990’s, he busked, skylarked, and chain smoked […]
For once the words “visionary director” on a trailer are not a misnomer. From Panos Cosmatos, who made our 25 New Faces list back in 2011, comes the first trailer for his ’80s-set revenge drama Mandy, starring Nicolas Cage and Andrea Riseborough. I can’t overemphasize how much I love this film. There are scenes in it that are beautifully, meaningfully lodged in my memory. Just watch now.
When I was thirteen years old I spent a good deal of my free time posting on an online message board dedicated to Wes Craven’s Scream film series. I was a nerdy, creative kid stuck in suburbia, and I’d stay up late on my parents’ basement desktop computer writing long, elaborate, I’m-sure-illegible fan fiction stories to post on the message board. This was a subculture on the forum: users would regularly post their own fictional horror stories (some inspired by the Scream movies, some original). The stories would often feature the characters from Scream mixed with new characters inspired by […]
I have written before about the remarkably shoddy aesthetics of the videos put out by Team Trump, and I’m not the only one to have noticed: last year, over at The Outline, Tolulope Edionwe wrote a sharp post about “the iMovie president.” The whole post is worth reading, but this assessment rings particularly true: “This has become a pattern for Trump: poorly-edited digital content in which serious and significant subjects are given bad color treatments, low resolution, and carelessly incorrect accoutrements.” In the Ernest Goes to Pyongyang reality which we are on course to enter shortly, our lawfully elected president (or whatever) […]