A $1300 4K RAW camera that comes with DaVinci Resolve and produces stunning, detailed images as those featured in the above camera test seems like a no-brainer. But as Blackmagic begins shipping their latest Pocket Cinema Camera, reports are rolling in… Read more
Following its world premiere at last month’s IndieMemphis, Factory25 has released the first trailer for Jobe’z World, Michael M. Bilandic’s follow-up to his 2013’s art world satire Hellaware. This film looks to borrow from the After Hours formula of a New York City… Read more
Although this video essay by Sareesh Sudhakaran is called “How Ridley Scott Covers a Dialogue Scene,” it more accurately investigates the ways in which Scott uses blocking and perspective to foreshadow the more sinister events of his 1979 mega-hit Alien. In… Read more
French-born, LA-living filmmaker Alexandre Nahon premieres his directorial debut, Burning Shadow, tonight at the Miami Beach Cinematheque as part of its Art Basel screening series. The film, which has been described as having a Lynch or Cronenbergian vibe, is a… Read more
In The Morning After an interracial lesbian couple wake up the day after the 2016 general election to find their world changed. They drag their tired bodies out of bed to have brunch with one of the women’s fathers, who presents a charming, welcoming veneer despite his soon-to-be revealed political leanings. Written and directed by Lauren Minnerath, and starring Taylor Hess (a Filmmaker contributing editor) and Adenike Thomas, the short film methodically dissects an already tense instance of “meet the parents,” made all the more trying by the present circumstance. Check it out above.
One of the very best shorts of the year has made its way online. Actor David Call wrote, directed and stars in Cole, an elliptical drama about a combat veteran who’s suffered a traumatic brain injury and is struggling to reintegrate himself into the working world. With a steady, almost minimalist approach, Call relays the quotidian rejection that his character faces to heartbreaking effect. Check it out above.
From Troiscoleurs (Nicolas Longinotti) comes this sublime supercut based around a beautifully elegiac premise: what would be the effect of looking at the first shot of a director’s feature filmography alongside their last? What message is spoken, what story is told, either deliberately or by chance, by a split screen that crosses decades? While many of these filmmakers — who include Hitchcock, Renoir, Fassbinder and Ozu — may not have expected their final film to have been their last, some of these final shots contain more than an intimation of mortality. (The Tarkovsky first-last combination here is particularly striking.) From […]
New York-based animator Alexa Lim Haas made Filmmaker‘s 25 New Faces list in 2017 while her lovely short Agua Viva was still in post. With the film appearing on Vimeo this week, where it received a Staff Pick, now both we and all of you can experience it in its fully-inked glory. Agua Viva, which depicts the inner life of an immigrant Chinese nail salon worker in Miami, premiered at Sundance and Rotterdam this year and won jury prizes at SXSW and Dallas. It received quite a bit of support, including the Borscht Corp’s #NoBroZone Grant, the Time Warner 1st […]
Indiewire Senior Film Critic David Ehrlich’s “best movies of the year” supercut is always an amazing watch, a video in which individual cuts, sequences, and music intros generate dopamine hits as you silently, or while singing along, endorse and possibly decry some of the individual selections. This year’s edition, at 13 minutes-plus, is no exception. I was happy to see here a number of personal favorites here alongside Ehrlich recommendations that I haven’t seen yet (Paddington 2!) as well an opening section that draws from the trippy ending of Alex Garland’s underrated Annihilation.
On the heels of Nicolas Roeg and Ricky Jay, the movies lost another major figure today with the passing of the Italian director Bernardo Bertolucci. Bertolucci leaves behind something of complicated legacy, especially given Hollywood’s current sociopolitical climate. His treatment of Maria Schneider on the set of The Last Tango in Paris has led some to decry his standing, while others lament that such indiscretions are “in danger of [overshadowing]” his work. Whichever side of the aisle you may fall on, it’s hard to deny his eye for staging a scene. Above is one of the most memorable sequences from one of […]