Cinematographer Christopher Doyle’s interview with Kaleem Aftab was one of our most highly-read pieces of last year, and in this concise interview posted at the ARRI channel, he discusses specific aspects of his methodology, including adapting his approach to his physical surroundings and the importance of camera ergonomics.
A hotel left empty during wintertime, a stormy island and a lone caretaker are the poetic elements of Brian Bolster’s elegant Winter’s Watch, a short documentary screening on the Atlantic Selects. For 19 winters photographer Alexandra de Steiguer has worked as a caretaker of the Oceanic Hotel, an imposing structure located on Star Island, 10 miles off the New England Coast. The island’s lone inhabitant, she sinks into her solitude and makes images, although, it is clear that, in this instance, her artistic practice is a byproduct of her need to escape the noise of the mainland and exist, one-on-one, […]
The incontestable highlight of last night’s NYFCC awards dinner was Tiffany Haddish’s acceptance speech for best supporting actress in Girls Trip. An 18-minute set in all but name, punctuated by strategic refueling sips, it was epically uncontained; the best historical record we have is this video from Buzzfeed’s Alison Willmore.
If the 25 films highlighted in David Ehrlich’s annual supercut review of the year in film aren’t enough for you, try this mash-up from Sam Barnett, featuring 304 titles from last year. For a full list of all the titles included, click here.
If you don’t have access to all the work, and if you’re not plugged into the industry development community, the annual Black List — a “most-liked” list of unproduced screenplays floating around in Hollywood — is always a bit of head-scratcher list. Do the loglines — Daddio‘s “A passenger and her cab driver reminisce about their relationships on the way from the airport to her apartment in New York,” or The Mother‘s “A female assassin comes out of hiding to protect the pre-teen daughter she gave up years before” — herald exciting new voices or simply clever takes on durable […]
From 2004 to 2016, Steve Bannon directed nine feature-length documentaries. Bannon, who professes open admiration for the aesthetics of Leni Riefenstahl, believed for a time that his films, which bear dire titles like Battle for America, Fire From the Heartland and District of Corruption, would catapult him to prominence as the right-wing’s cinematic answer to Michael Moore. Diving into his oeuvre is not unlike experiencing the last decade’s-worth of popular political documentaries but through a conservative looking-glass. Bannon’s films illustrate both his dangerously apocalyptic worldview, and provide an object lesson for probing the thin line between documentary and propaganda. They’re also near-unwatchable. But, they are texts worth encountering in order to get […]
With bitcoin values soaring and “blockchain” the soon-to-be-new film industry buzzword, Christopher Arcella is out with a well-timed short, The Satoshi Sculpture Garden. With a cool, meditative calm, he follows a young woman as she surveys an outdoor sculpture garden consisting of pieces that play upon ideas tied to the cryptocurrency. Data visualization indeed! From Arcella’s director’s statement: In order to fully appreciate Bitcoin one needs to have a basic understanding of Bitcoin’s technology and the systems that the technology is disrupting. Otherwise, trying to understand Bitcoin is a bit like trying to derive meaning from abstract sculpture. The Satoshi […]
The U.S. trailer for Lynne Ramsay’s contemporary neo-noir, You Were Never Really Here, which won the Best Screenplay and Best Actor (for Ramsay and Joaquin Phoenix, respectively) at this year’s Cannes Film Festival, has just dropped. An adaptation of a Jonathan Ames story, it stars Phoenix as a modern-day gumshoe tracking down a kidnapped kid. Amazon releases in early ’18.
Starting off with a discussion of classic Hollywood vs. Soviet editing styles (continuity editing vs. Soviet montage’s dialectic approach), famous editor and sound designer Walter Murch goes on to discuss a third way that he dubs “nodal editing.” Drawing examples from The Conversation, the first film he sound edited, to The Godfather to his work in documentary, Murch offers an incisive, history-laden master class in editing theory at this year’s Sheffield Doc Fest.
Critic David Ehrlich’s 25 Best Films of 2017 supercut, dropped today, is an expected pleasure. Through the luxuriousness of its 12-and-a-half minutes, it produces, as it always does, the affect of, “Hey, this was a decent year for movies!” There a quite a few personal favorites on his list — Personal Shopper, Phantom Shopper, Good Time, A Ghost Story, to name a few — as well as a spirited soundtrack flecked with a number of ’70s and ’80s pop hits and disco anthems. Fleetwood Mac’s “The Chain” is the bold opener, and particularly amazing needle drops include Chaka Kahn’s “I’m […]