Tonight marks the 27th annual edition of the Gotham Independent Film Awards, presented by Filmmaker‘s parent organization, IFP. Starting at 6 pm EST tonight you’ll be able to watch the ceremony, beginning with the red carpet arrivals, with the ceremony proper staring at 8. A Facebook live stream of the ceremony has begun; click on the Facebook icon here to watch. For more information, including a complete list of the nominees and tributees, click here, and check back tomorrow for a write-up of the ceremony.
I’m a fan of Jason Kohl’s SXSW-premiering short film, The Slaughter, which he wrote about here for Filmmaker. And I also took note of his thoughtful filmmaking how-to, Film School: A Practical Guide to an Impractical Decision. Today, Kohl’s debut feature, New Money, is having its world premiere at the Tallinn Black Nights Film Festival. Starring the great Louisa Krause (King Kelly, The Girlfriend Experience, The Flick), it’s described as a “sharp-witted true crime drama” inspired by a story Kohl heard about two stepchildren, worried about their inheritance, who kidnapped their stepdad to insure that they’d get their cut of […]
195 Lewis, a web series directed by Chanelle Aponte Pearson and created by Rae Leone Allen, premieres tomorrow night at 8:00 PM at the show’s website. Last year, when the series was in production, we interviewed Pearson, and she discussed her own motivation for joining the project: At the time of joining the project as director, I used to watch The Misadventures of Awkward Black Girl and The Couple, so I largely understood the format to work best for comedies with episodes ranging from two to five minutes. Despite knowing this, I still entered the writing process not focusing on […]
From the LowRes Wünderbred account comes this video essay, the first in a series that will explore how the unmade comedy One Saliva Bubble — co-written by David Lynch and Mark Frost as a Steve Martin-Martin Short vehicle (!) — shaped Twin Peaks. (The screenplay, at least a version of it, can be found here.)
Director Jean-Stephane Sauvaire, whose 2008 debut feature, Johnny Mad Dog, was a thrillingly immersive journey into the world of African child soldiers, makes his long-awaited return to theaters with another picture — A Prayer Before Dawn — set within a violent community: Thai kickboxers in the country’s infamous Bang Kwang Central Prison. Wrote Guy Lodge at Variety upon the film’s Cannes premiere: Competition is stiff for the title of cinema’s most violently harrowing prison drama, and tougher still for the all-time most pummeling boxing movie. Gutsily, Jean-Stéphane Sauvaire’s A Prayer Before Dawn”comes out fighting for both, landing a number of […]
I love this short — The Polaroid Job — now up on the New York Times Op Doc page by producer, director and Sundance shorts programmer Mike Plante. A trip home to visit his parents leads to Plante sifting through stacks of their old Polaroids, photos that not only document family moments but also a family business. For a short time, while Plante was 11, his parents had “the Polaroid job,” a gig that involved taking a large-format Polaroid camera to various events — a store opening, a haunted house, etc. — and taking pictures of attendees posing with various […]
Two things the internet loves — kittens and Aphex Twin — combine in this arresting texting-while-driving PSA scored with a sinewy remix of the classic “Windowlicker” track. Over 100 pink kittens appear in this beautifully art-directed spot, but, in the end, only one really matters….
Why is David Fincher’s work so hypnotic? This video essay from The Nerdwriter argues that he matches camera movement exactly to the speed of the characters, placing you more in sync with them both physically and emotionally.
Barry Lyndon joined the Criterion Collection last week, and they’ve shared an excerpt from one of the disc’s supplements in which focus puller Douglas Milsorne and gaffer Lou Bogue discuss the difficulty of shooting with all those candles — oxygen got scarce on the ground — and surreptitiously bouncing light to provide the necessary amount of illumination. For more, see this video on various DPs discussing the film’s groundbreaking cinematography and Jim Hemphill’s interview with three of the cast members.
“There is an air of quiet death in this house.” In the 1950s London of Paul Thomas Anderson’s latest feature, Phantom Thread, Daniel Day-Lewis is an exacting dress maker and Vicky Krieps is his latest muse. In these two minutes, their relationship is marked by a guarded formality but there’s just enough here to suggest something more than a stately period romance of sorts. We’ll have to wait until Christmas — or the next trailer — to find out more….