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DESPERATE CRITICS
A TV show used to be many years in syndication before it became critical fodder for academics and intellectuals. But as it has swiftly climbed the ratings ladders, Desperate Housewives has also attracted notice from the sorts of writers who wouldn’t normally stoop to covering TV. Like Germaine Greer.
Here’s the author of The Female Eunuch on the hit ABC show, as reviewed in The Guardian:
“The series has nothing to say about the vicissitudes of the average or even the well-to-do American stay-at-home wife; it is neither feminist, nor pro-feminist nor proto-feminist nor post-feminist. Feminism has as little to do with Desperate Housewives as it did with Sex and the City. Indeed, it is difficult to imagine in either case what outright misogynists would have done differently.”
