One week each summer, a thousand-plus bright and accomplished U.S. teenage boys gather at their respective state capitals. Randomly divided into two parties (the Nationalists and the Federalists), they establish party platforms and select party leaders. At the end of the week, they go head-to-head in a mock election. The program they’re participating in, Boys State, was created in 1935 by the American Legion as a way of counteracting a burgeoning socialist movement (the American Legion Auxiliary launched Girls State in 1937). In the years since its inception, this nationwide initiative has introduced the concept of U.S. democracy to countless […]
by Chris Boeckmann on Jul 7, 2020In the past decade, I have screened thousands of documentary festival submissions. That amounts to countless hours of observing — or, more often than not, being told about — the horrifying effects of war, discrimination, depression, censorship, animal slaughter, plastic bottles, shoddy reporting, asbestos and mountaintop removal. Befitting this past decade of “hope,” I have also been given the tools to fix those problems: a program I can donate to, a message to spread to my community, a website I can visit to learn more. Nearly every one of these films has failed to leave an impression. They don’t make […]
by Chris Boeckmann on Apr 13, 2017Digital cameras have made it possible for more first-time documentary directors than ever to realize their visions, but there aren’t yet enough experienced producers ready to help those directors translate their talents into viable careers. “If you’re a director with an ambitious vision, you’re going to need help,” producer Amanda Branson Gill says. “In the narrative world, there are huge, built-in teams of people to support you. In documentary, we have this idea of the lone wolf. But you’re going to need a good partner, someone with whom you share the burden and who makes it possible.” A creative producer […]
by Chris Boeckmann on Jul 23, 2015The Riviera Maya Film Festival (RMFF), which takes place throughout Mexico’s beautiful, tourist-ridden state of Quintana Roo, seems to have unfathomably deep pockets at its disposal. I was flown in for its fourth edition as a representative of the True/False Film Fest and housed, along with several dozen other industry delegates, in Hotel Cacao, the poshest place I’ve ever slept. Over the course of a few days, I was relieved to discover that the festival wasn’t just blowing resources on lavish guest accommodations. Its organizers seem ambitious, practical and equally committed to serving two communities: those who reside in Quintana Roo […]
by Chris Boeckmann on Jun 18, 2015