The other day, Liesl Copland at WME gave a wonderfully frightening talk at the Toronto Film Festival bemoaning the “analytic black holes” of streaming and VOD platforms. She’s absolutely right: filmmakers and even their distributors have no idea how many people are seeing their movies, paying how much money, and barely knowing when and where they’re available. We have more luck knowing how many people are pirating our films on BitTorrent! Theatrical presentation is still the emotional gold standard of independent film: we make movies to be shown in front of audiences. OK, but other than playing at film festivals […]
by Dan Mirvish on Sep 13, 2013The author of this guest essay is a filmmaker whose most recent film is Between Us. He is also the co-founder of the Slamdance Film Festival. — Editor I recently wrote an article about 12 Steps to a Saner Festival Plan in which I suggested the volume-method of festivals: Get your film into as many festivals as you can, and build momentum from one to the next. Unfortunately, a lot of people read that article. And the one consistent question I’m getting is if we’re broke filmmakers, how can we afford to apply to so many festivals? Chances are you […]
by Dan Mirvish on Sep 10, 2013The author of this guest essay is a filmmaker whose most recent film is Between Us. He is also the co-founder of the Slamdance Film Festival. — Editor Okay, you didn’t get into Toronto and you’re crushed. Guess what? You also didn’t get into Telluride, Venice or the New York Film Festivals either. But I’ve got news for you: You probably didn’t stand a chance with any of those festivals anyway. It’s not you, it’s them. Don’t get me wrong: They’re all perfectly good festivals run by nice – frequently Canadian – people. The problem is the so-called big Four […]
by Dan Mirvish on Sep 3, 2013Plenty of us independent filmmakers claim to be as environmentally friendly as can be, but beyond a few minor lifestyle tweaks (like claiming we just watched Gasland 2 while bemoaning Hollywood’s reliance on sequels), are we really as green as we’d like to think we are? Sadly, probably not. But one way we can help make a small difference to our planet is to take a page from the food movement and become locavore filmmakers — making movies close to home, in order to reduce our carbon footprints. I tried this strategy on my new film (Between Us, starring Julia […]
by Dan Mirvish on Jul 31, 2013My film Between Us is about to come out in theaters and one of the questions I’ve been asked at some of the 22 festivals in seven countries I’ve been to (and yes, that sound you hear is my feet splashing on the beach when I won the Grand Jury Prize in the Bahamas) is how the hell I got a cast like Julia Stiles, Taye Diggs, Melissa George and David Harbour in a movie that according to Kickstarter only cost $10,000? So let me explain… 1. Choose Castable Material. One reason I chose to adapt an Off-Broadway play in […]
by Dan Mirvish on Jun 20, 2013