Authors — David Leitner
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Digital Motion Picture Cameras in 2017: New Images for the 21st Century
As my seventh annual camera round-up for Filmmaker goes to press and online, NAB 2017 has just wrapped, and one major take-away is clear: the march towards full-on realism — visual sensations so real that images appear palpable — is in its infancy. [Author’s note: this deep dive into camera tech was written for the Spring 2017 issue of Filmmaker. Despite arriving online at a later date, it remains timely and informative. Stay tuned for my Digital Motion Picture Cameras in 2018 in Filmmaker, coming soon!] Call it hyper, call it immersive, call it virtual, the fact is that display […]
by David Leitner on May 15, 2017 -
“Triangle Below Canada”: On Opening Night, the Tribeca Film Festival Marches North
In the course of 85 years, the “Showplace of the Nation,” Radio City Music Hall, has hosted countless spectaculars, but few I suspect as geriatric as Wednesday night’s revue of strutting septuagenarians revisiting their classic hits from the AM radio era — Barry Manilow, Dionne Warwick, the late Maurice White (in the person of what’s left of Earth, Wind, and Fire), Carly Simon and Aretha Franklin. A few youngsters performed too, including Jennifer Hudson and Kenny G. You certainly wouldn’t mistake this for SXSW. Call it North by Northeast. (With a tip of the bowler to Hitch.) That would explain […]
by David Leitner on Apr 22, 2017 -
Sundance Notes: Disarming a Film Festival
On Friday, January 27, as I attended the second half of Sundance, Trump signed an executive order barring Syrian refugees and citizens of seven Muslim-majority nations from entering the United States. “We’re not willing to be wrong on this subject,” said White House chief of staff Reince Priebus on Face the Nation two days later. “President Trump is not willing to take chances on this subject.” The following Monday, The New York Times reported that senior White House officials “were proud of taking actions that they said would help protect Americans against threats from potential terrorists.” This year at Sundance […]
by David Leitner on Feb 10, 2017 -
Sundance Notes: RISE to RUMBLE, must-see TV… from Canada
Malcolm Forbes, of all people, once memorably said, “You can easily judge the character of a man by how he treats those who can do nothing for him.” I’d like to extend that principle: You can easily judge the character of a nation by how it treats the indigenous people from whom it took its territory. I’m from Chattanooga, near the Chickamauga battlefield, just east of the Ocoee and Hiwassee rivers, in the southeast corner of Tennessee. I grew up on an Appalachian mountain, dated a girl in nearby Ooltewah. I now live in Manhattan. All indigenous names. Where are […]
by David Leitner on Feb 5, 2017 -
Slamdance Notes: If Fitzcarraldo Made a Violin
Slamdance remains the little festival that could, a throwback to analog film festivals of the early 1980s, with their cinema-obsessed audiences and packed makeshift screening rooms. A halcyon age of innocence, before the onslaught of marketing, branding, corporate sponsorship, publicists, producer reps, agents, and social media. At Slamdance there’s still no red carpet and no one checks your bags or makes you open your coat for inspection before entering every screening. Nonetheless every year Slamdance, with its tiny slate, upstages Sundance with one or two films that soar. This year’s not-to-be-missed Slamdance film is Stefan Avalos’s Strad Style. Strad Style has […]
by David Leitner on Jan 25, 2017 -
Sundance Notes: On Political Action in Park City
Sundance coincides with Presidential inaugurations, and I have indelible memories of twice racing to find a cozy Main Street bar in order to watch the live television broadcast of Barack Obama’s inauguration and speech. All of us in the bar, strangers but inspirited fellow citizens, were glued to every minute. Saturday, sitting in an idling car outside the Park City Marriott, I happened to catch Trump’s speech over the car radio as my partner was inside picking up our press credentials. Something about “carnage.” Ho-hum. Hyperbole and bombast may be the new normal, but this act grows old fast. Films […]
by David Leitner on Jan 22, 2017 -
Sundance Notes: The Nile Hilton Incident
Twice in a row the first film I’ve seen at Sundance is so brilliant, so accomplished that I start Sundance on a mountain high — and it’s not the thin air. I had to miss 2016 Sundance, but two years ago it was Tom Hardy in Steven Knight’s Locke, a tour de force of a one-hander that’s nonetheless a nail-biter — Hardy in close-up the entire film, speeding through the night in his car, his life crumbling in real time with each harrowing Bluetooth call. You learn a lot about concrete pours and the consequences of poor choices. But I […]
by David Leitner on Jan 22, 2017 -
How to Appreciate the Techno-Aesthetic Breakthroughs of Ang Lee’s Billy Lynn’s Long Halftime Walk
Tonight, Friday, October 14, 2016, the Film Society of Lincoln Center makes cinema history with the New York Film Festival’s world premiere of Ang Lee’s Billy Lynn’s Long Halftime Walk, presented at the 600-seat AMC Loews Lincoln Square 13 IMAX theater on its 100-foot-wide screen, the largest in North America. The brief on this technological milestone? Images shot and projected at 120 fps, dual 4K RGB laser projectors that display wide color gamut and high dynamic range, bright RealD 3D, 12-channel audio with overhead speakers plus sub-bass. Talk about immersive! And what of the film itself? Billy Lynn’s Long Halftime […]
by David Leitner on Oct 14, 2016 -
Digital Motion Picture Cameras in 2016: New Horizons
In this, my sixth annual camera round-up for Filmmaker, I’ll explore the latest developments and trends associated with cameras — as I have each year — which taken together continue to define new directions in digital cinema. I’ll highlight cameras that exemplify these trends. Those seeking an end-in-sight to a decade’s worth of profound change in camera technology might want to stop reading here. In my 2015 camera round-up, I touched on issues of design including modularity, new materials, a return to ergonomics; the birth of camera apps; wirelessness and the dawn of camera IP connectivity; the mirrorless revolution with […]
by David Leitner on Apr 21, 2016 -
Digital Motion Picture Cameras in 2015: The Dust Settles
Have you heard? The United Nations designated 2015 the “International Year of Light and Light-based Technologies,” and cinematography made the cut. But is IYL 2015 finally the year in which the dam burst of innovation subsides, and new digital cameras and techniques no longer threaten to drown us? Surveying the latest advances in large-sensor digital cinema cameras for Filmmaker’s fifth annual round-up — written, as always, on the eve of NAB — gives me pause to consider how far we’ve come in the five years since Sony’s F3 and FS100 were cutting-edge… since Panasonic’s AF100 stirred passions, ARRI’s Alexa represented a bold choice, and RED’s hand-assembled Epic-M […]
by David Leitner on Apr 28, 2015
