Filmmaker selected director Brent Bonacorso for our 2011 25 New Faces list on the basis of his absolutely stunning short, West of the Moon. After playing the festival circuit, it recently premiered on Vimeo, where it became a Staff Pick and quickly scored over 65,000 views — “WAY more views than in the festivals,” Bonacorso notes with amusement in an email. The film is above, and below is Eric Kohn’s write-up on the director from the Summer, 2011 print issue. — SM When asked to cite their influences, many filmmakers reference icons. Brent Bonacorso avoids that tendency. True to his […]
by Eric Kohn on Jun 9, 2013When asked to cite their influences, many filmmakers reference icons. Brent Bonacorso avoids that tendency. True to his spectacularly distinctive style, Bonacorso suggests his sensibility is innate. “I’ve always been interested in telling visual stories,” says the Los Angeles-based filmmaker, whose surreal short film West of the Moon supports that claim. “As far back as I can remember, I’ve been creating narratives, whether they were drawings, photographs or films. Honestly, I think it’s just something I was born with.” Bonacorso has been directing commercials and other short projects for nearly a decade, but West of the Moon is unquestionably his […]
by Eric Kohn on Jul 17, 2011The history of moviegoing in New York City is quintessential to the survival of the medium. Manhattan alone provided a healthy nexus of theatrical activity at the beginning of the 20th century, and in that regard, little has changed. The city continues to host dozens of theaters, including more arthouse venues than almost anywhere else in the world. From the usual specialty releases regularly showcased at the Sunshine and the Angelika to the storied repertory programming at prestigious fixtures like Film Forum and Lincoln Center, New Yorkers have innumerable eclectic opportunities to expand their cinematic horizons. But movies without distribution […]
by Eric Kohn on Jul 26, 2010Sundance documentaries have developed a strong track record. Hits out of recent festivals include Man on Wire, The Cove and We Live in Public, each of which captures an element of society and finds the human connection within. This year, however, the human connection in some of the more talked about nonfiction entries is highly suspect. At the center it all: Banksy. Exit Through the Gift Shop, the alleged directorial debut of the anonymous street British street artist, wound up with a surprise slot in the Spectrum section of the festival. Banksy’s enigmatic career and life beyond the film world […]
by Eric Kohn on Jan 27, 2010