Unfolding over the course of one evening in the Hasidic community of Boro Park, Brooklyn, Keith Thomas’s debut feature, The Vigil, gets more unsettling the darker the night gets. Dave Davis plays Yakov, a young man experiencing difficulty living a newly secular life. As securing a job has proved difficult, he agrees to a friend’s impromptu request to serve as a shomer, watching over the cold body of a local man, Rubin Litvak, before the deceased is laid to rest. Anticipating an easy few hours of surfing the web on his smartphone, Yakov settles in for his watchman duties. Unfortunately […]
by Erik Luers on Mar 2, 2021Shatara Michelle Ford’s debut feature Test Pattern addresses sensitive material with clinically painstaking detail. The narrative begins in 2017 at an Austin bar as Renesha (Brittany S. Hall) meets Evan (Will Brill), a thirtysomething white guy whose liquid courage prompts him to ask for Renesha’s phone number. Somewhat surprisingly, the two hit it off and grow to become a loving couple.One evening, Renesha begrudgingly (she has work in the morning) meets up with a friend for drinks at a local bar, where they meet two flirtatious men who proceed to drug them. Nearing unconsciousness, Renesha is taken to an unfamiliar location […]
by Erik Luers on Feb 19, 2021Deep in the desert of Crestone, Colorado live a group of Soundcloud rappers who live carefree off the land, growing marijuana, recording music, and posting goofy videos to Instagram? Crestone, Marnie Ellen Hertzler’s debut feature, journeys deep into the isolated, sandy abyss, placing her camera amongst an eccentric group of lost boys who have no use for the outside world, even as it steadily burns around them. If influential TikTokers can erect a California-based Hype House to stock up on “content creators,” Crestone is as appropriate a place as any to discover where these wild things are. Hertzler, a 25 […]
by Erik Luers on Feb 17, 2021Born in what was then Leningrad, U.S.S.R., Viktor Kossakovsky embarked on his journey to become one of the world’s most celebrated and elemental nonfiction filmmakers with a love of photography and a desire to explore the complexities of Russian history. After taking on various below-the-line roles at the Leningrad Studio of Documentaries, Kossakovsky directed his first feature, Losev, a black-and-white portrait of the elderly Russian philosopher Aleksei Fedorovich Losev. For his next black-and-white film, The Belovs, Kossakovsky turned inward, documenting a spirited but warring brother and his sister living on a farm in a western Russian village he had visited […]
by Erik Luers on Feb 10, 2021It may still feature two households both alike in dignity, but in Carey Williams’s modern adaptation of William Shakespeare’s Romeo and Juliet, R#J, the modes of communication look decidedly different. Set in California in the here and now, Williams’s film hones in on the title characters’ brief but intense romance via their messaging tool of choice: the smartphone. Back-and-forth texts and DMs, impromptu FaceTiming sessions, tagging each other in Instagram photos and sharing personally curated Spotify playlists add to the cumulative rise and potential fall of literature’s most infamously star-crossed lovers. Produced by Bazelevs Productions (founded by popular Russian filmmaker […]
by Erik Luers on Feb 5, 2021Duplicity in all its forms lurks just below the surface in Erin Vassilopoulos’s debut feature, Superior, which had its world premiere at the 2021 Sundance Film Festival last weekend. Expanded from a short she made in film school, Vassilopoulos’s feature concerns two fraternal twin sisters (Alessandra and Ani Mesa) unexpectedly reuniting after six years apart. The film opens in October of 1987, with Marian (Alessandra), a touring musician on the run from a secretive past, returning to her hometown to spend a few days with her sister, Vivian (Ani). The two sisters haven’t spoken in six years, spending the interim leading […]
by Erik Luers on Feb 3, 2021Some films are not meant for the era in which they’re made. Such was the case with Richard Kelly’s Southland Tales, a sci-fi epic from the provocative filmmaker whose first feature, Donnie Darko, premiered in 2001. Arriving five years into President Bush’s presidency, Kelly’s second feature debuted in Competition at the 2006 Cannes Film Festival, where it was received much like Bush’s tumultuous War on Terror. “More film maudit than the basis for a midnight cult,” film critic J. Hoberman observed in the Village Voice, his review being one of the few positive notices to follow the film’s disastrous world […]
by Erik Luers on Jan 26, 2021While the arrival of a newborn child can strengthen a couple’s relationship, the loss of one can accentuate fissures that were already there. Hungarian filmmaker Kornél Mundruczó’s Pieces of a Woman is an emotionally high-pitched study of the PTSD that results from a home birth gone fatally wrong. Based on a stage play by Mundruczó’s partner, Kata Wéber, this film adaptation moves the action to Boston and casts as its two leads Vanessa Kirby and Shia LaBeouf. Following its world premiere at last fall’s Venice International Film Festival (where Kirby was awarded the Volpi Cup for Best Actress), press coverage for […]
by Erik Luers on Jan 5, 2021Conflicts keep Mayor Musa Hadid, mayor of the Palestinian city of Ramallah since 2012, on the move. A modest man who delights in meeting his fellow citizens and problem-solving ways to make their daily existence easier, he’s a walking, talking human “customer service department.” Hadid is less the head of municipality than a crisis manager, listening patiently to every complaint and request that comes his way. Consistently reminded that his power is limited by the unwanted presence of Israeli military and government interference, Hadid’s running of a city in occupation is often frustratingly restricted. In director David Osit’s new documentary, […]
by Erik Luers on Dec 2, 2020“I, John Brown, am now quite certain that the crimes of this guilty land will never be purged away but with blood. I had, as I now think, vainly flattered myself that without very much bloodshed it might be done.”—John Brown on the morning of his death, December 2nd, 1859 The 1859 public execution of John Brown—the 19th century American abolitionist put to death for taking up arms in an attempt to rid the country of slavery—was attended by men, including Stonewall Jackson and John Wilkes Booth, who would go on to make a much larger dent in textbooks. Yet, […]
by Erik Luers on Nov 11, 2020