With nearly 20 credits as a director and as many as an editor, Theodore Collatos has been quietly making documentaries and narratives to critical acclaim for the last decade, often collaborating with his wife, former professional dancer Carolina Monnerat, as producer and actor. For Collatos’ sixth feature, and first with Monnerat as co-director, they returned to Monnerat’s native city of Rio for an intimate and revealing look at an underground cultural icon. Queen of Lapa, named for a district renowned for its sex trade, devotes its focus to the late Luana Muniz, a trans-rights advocate, founder of Luana’s House (a […]
by Evan Louison on May 9, 2019
A German fighter pilot shot down over Crimea, rescued by nomadic tribesmen. A chronically depressed veteran, in near total isolation in the wilderness. A difficult pupil turned iconoclast pedagogue. Whether apocrypha or self-imposed legend, all these identities defined the persona of artist Joseph Beuys, arguably one of the most relevant and revolutionary forces in modern and post-modern art in the 20th century. A former soldier of the Third Reich, rehabilitated through a lifelong commitment to innovation, Beuys redefined the artist’s role in society as the ultimate act of public penance. From renowned pieces such as “How to Explain Pictures to […]
by Evan Louison on Jan 17, 2018
For Abel Ferrara, now living and working in Rome, there’s no love lost between the renegade director and the New York of yesteryear, the New York of Bad Lieutenant. “Being in Europe, it’s very different,” Ferrara explains. “We thought we were free then, but it’s nothing compared to where we’re at now. We’re outside the system, working within the European financial community, which includes the socialist brand of government financing and various cultural ministries.” Continues Ferrara, “On Bad Lieutenant” — the cover of Filmmaker’s second issue — “we were totally free. The director has to have absolute freedom. Now, you […]
by Evan Louison on Sep 14, 2017
To revisit Martin Bell‘s landmark documentary Streetwise 32 years after its initial release is an experience that would at times seem to beggar an audience’s capacity for prejudice. Never was a community so commonly perceived as forlorn and despondent as Seattle’s homeless youth population ever depicted in such a sharp contrast to common notions of indigence. To endure the film alongside Bell’s feature-length update, TINY: The Life of Erin Blackwell — made possible as part of BAMCinemaFest’s NY Premiere Double-Feature this Saturday — is to stand the test of self-questioning that belies any deeper look into the reality of poverty and its lifelong repercussions. TINY, […]
by Evan Louison on Jun 23, 2016
It’s always been a convenient avenue for critical dismissal to view Brian De Palma’s films as impersonal. As the director says himself in Noah Baumbach and Jake Paltrow’s eponymous documentary opening this week, he makes films from the outside in — beginning with the visual lexicon of the narrative, then connecting that architecture with living characters and scenes. Some struggle to defend their affinity for his films. The targets are legion. One is the voyeur’s presence in most of them — almost always misconstrued by detractors and, if only in the most fleeting moments, pegged as either contrivance, obsession, or […]
by Evan Louison on Jun 7, 2016