In partnership with IFP, Filmmaker‘s parent organization, the Mayor’s Office of Media and Entertainment has announced this year’s ten projects to be chosen for Made in NY Fellowships. The projects, which span documentary and narrative filmmaking as well as gaming, post-production, animation, VR and media/technology platforms, will receive yearlong incubator positions at the Made in NY Media Center by IFP. Read the full press release below. NEW YORK, NY – Mayor’s Office of Media and Entertainment (MOME) Commissioner Julie Menin and the Made in NY Media Center by IFP today announced the recipients of the second year of Made in NY Fellowships, […]
by Filmmaker Staff on Dec 5, 2016Isabelle Huppert is unquestionably one of the world’s great actresses. She is also, to put it mildly, not known for the warmth or jollity of her roles — she’s played many tough, complicated women utterly unconcerned with being “likable,” and her complex part in Paul Verhoeven’s Elle is no exception. It’s delightful, and completely out of literal character, to see her smiling and laughing in genuine surprise as she accepted the best actress award at last night’s Gothams for the film. “I didn’t expect that to happen, I promise,” she explains. “They all told me, “It’s a very American award, very New […]
by Filmmaker Staff on Nov 29, 2016“Holy shit, man” — Barry Jenkins kicked off his Best Feature acceptance speech with a few words of thanks to the IFP and the Gothams, then enthused from the heart. “It’s so humbling to be nominated in a category with people like Kelly Reichardt,” he said. “I’ve seen Meek’s Cutoff at least 7,000 damn times.” He thanked the cast, his producers, his third grade teacher (the first person who told him his story was worth telling), his “friend and confidante on this tour” Mike Mills (director of the forthcoming 20th Century Women). Then he alluded to the unignorable reality of this political moment: “The […]
by Filmmaker Staff on Nov 29, 2016No stranger to branded content, Wes Anderson’s latest effort in this area is a four-minute short for H&M, whose logo bookends the film. It’s appropriately seasonally themed and features some very cool lighting effects.
by Filmmaker Staff on Nov 28, 2016Rob Ager’s video essay tackles a particular question: what role does the color red symbolically serve in Blade Runner, as manifest in the red-eye effect attached to the replicants? Connections are made to other sci-fi films with a fondness for the red-eye effect, like HAL 9000’s artificial eye in 2001: A Space Odyssey.
by Filmmaker Staff on Nov 21, 2016Clara Podlesnigg gathers the many uses of windows in Wes Anderson’s films in this supercut.
by Filmmaker Staff on Nov 17, 2016The Criterion Collection pays tribute to the late DP Raoul Coutard (who died last week, on election day) with a video collecting remarks he made during interviews for their editions of films he shot. It includes specific comments on Breathless, Jules and Jim and Z, as well as the gorgeous theme for Contempt, which is always welcome.
by Filmmaker Staff on Nov 16, 2016The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today that Emmy® Award-winner Keegan-Michael Key — actor, writer, and co-creator of Comedy Central’s Key & Peele — will host the 2016 IFP Gotham Awards. The ceremony will take place November 28, 2016 at Cipriani Wall Street in New York City. “We’re excited to have Keegan-Michael at the helm of this year’s Gotham Awards celebrations,” said Joana Vicente, Executive Director of IFP and the Made in NY Media Center by IFP. “His unique presence and brand of humor will be a perfect addition to what we expect will be a lively and […]
by Filmmaker Staff on Nov 2, 2016Why is The Shining so disturbing? In this video from “Lessons from the Screenplay,” Kubrick’s horror classic is examined from both a script perspective and, more broadly, why exactly the film is so creepy.
by Filmmaker Staff on Oct 31, 2016In this video essay, Tony Zhou gets deep into why the Marvel Connected Universe — the highest-grossing franchise of all time — sports not one memorable musical theme that people can recall. The answer involves a crippling dependency on temp tracks bordering on the potentially lawsuit-worthy, making this a good look at the general state of Hollywood musical scores beyond the MCU.
by Filmmaker Staff on Oct 27, 2016