Authors — Filmmaker Staff
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All Eyes on Me
Lena Dunham and Caveh Zahedi are among a surprisingly small group of filmmakers who make themselves the subjects of their own films. Whether it’s a man dealing with his sexual urges (Zahedi’s I Am A Sex Addict) or a girl searching for her place in a post-collegiate world (Dunham’s Tiny Furniture), their sometimes painful honesty makes audiences both laugh and cringe. We had them sit down to talk about the joys, frustrations and creative rewards of making autobiographical films.
by Filmmaker Staff on Oct 23, 2010 -
SOFT SELL
by Filmmaker Staff on Jul 20, 2010
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25 NEW FACES – PART 5
Susan Youssef SUSAN YOUSSEF. At the IFP Narrative Lab, a mentor said of Susan Youssef’s first feature, Habibi Rasak Kharban (literally, “Darling, Something’s Wrong with Your Head”): “It’s a classic story, like Romeo and Juliet.” True, but the roots of Youssef’s story go back far further. The film is an adaptation of the 12th-century Sufi parable Majnun Layla, which was itself based on a 7th-century Arabic story. Over the years, the tragic tale of undying love between a woman and the wandering poet her family forbids her to marry has formed the basis for countless works of art, from Shakespeare’s […]
by Filmmaker Staff on Jul 20, 2010 -
25 NEW FACES – PART 2
Jason Byrne When we caught up with filmmaker Jason Byrne to include him in this year’s “25,” it was via e-mail from Tanzania. At the sa me time Byrne’s hypnotic experimental documentary Scrap Vessel winds its way along the festival circuit, he is working as an audio/visual archivist for the United Nations Criminal Tribunal for Rwanda. “Living in East Africa for the last two years has been a deeply rich experience, and this job has been fascinating but psychologically difficult at times, especially when listening to the many graphically explained testimonies from witnesses to the genocide,” he writes. Byrne has […]
by Filmmaker Staff on Jul 20, 2010 -
25 NEW FACES – PART 4
Brent Stewart When you live next to Harmony Korine some unconventional ideas can creep into your head. So when Brent Stewart was thinking about making a chamber-piece drama on 35mm and shooting the whole thing with little to no camera movement he went to his famous filmmaking neighbor for some advice. “I knew it would be a challenge to pull off because even Harmony said to me, ‘Man, that’s risky.’” But, The Colonel’s Bride, Stewart’s debut feature, is an intimate look at loneliness, old age and death with striking photography, a haunting score and a stirring lead performance that shouldn’t […]
by Filmmaker Staff on Jul 20, 2010 -
25 NEW FACES – PART 3
Zac Stuart-Pontier If you go to the website of Zac Stuart-Pontier (zac-edits.com), your browser heading will display the following: “Zac edits really, really, really well.” This cheeky claim was earned in early 2010 when the three feature documentaries that Zac had been working on since he graduated NYU in 2006 premiered within a month of each other: Jody Lee Lipes and Henry Joost’s NY Export: Opus Jazz, which premiered on PBS and took to the festival circuit with gusto in March, via SXSW; James Rasin’s biographical doc Beautiful Darling,about the Warhol superstar Candy Darling and the loves she left behind, […]
by Filmmaker Staff on Jul 20, 2010 -
25 New Faces
Welcome to the 2010 edition of Filmmaker‘s annual survey of new independent film talent. Victoria Mahoney Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there […]
by Filmmaker Staff on Jul 20, 2010 -
SXSW BLOG: “CANAL STREET MADAM” PRODUCER MRIDU CHANDRA, PART THREE
So I’ve been a little out of touch, I know. It’s taken some time to absorb what’s been going on since we premiered at the G-Tech 500 seat theater in the Austin Convention Center on Monday afternoon. Everything has been happening so fast. Jeanette Maier, the subject of our film, seemed pretty calm as we all had our photos taken in front of the step-and-repeat (the yellow SXSW logo wall) and there was a huge lineup before anyone got in. I realized this just after I sent a message to two colleagues who I’d been emailing with (but had never […]
by Filmmaker Staff on Mar 19, 2010 -
SXSW BLOG: ANNA HIGGS, DAY 5
Today is the day our film screens at the gorgeous Paramount cinema in Austin. We were there opening night for the raucous screening of KICK-ASS and so it feels like we have big shoes to fill! However a quick glimpse at the theatre at lunchtime with a queue already forming despite the rain, we had some hope of at least filling the 600 seat stalls before we had to worry about the balcony. It ended up being better than we could have expected (I know I keep saying this, but SXSW keeps amazing me!) and we had lines all around […]
by Filmmaker Staff on Mar 17, 2010 -
SXSW BLOG: “THE WEIRD WORLD OF BLOWFLY” DIRECTOR JONATHAN FURMANSKI, PART TWO
THE PREMIERE. I’m not new to the film festival experience but because this is my directorial debut things have really ratcheted up emotionally this time. My sales rep, Josh Braun, and my publicist, Jessica Edwards, have both been working hard to make sure the world premiere of my film, The Weird World of Blowfly, goes as smoothly as possible and has all the right people in attendance. They’re also working hard to keep me from hyperventilating and passing out! It’s a very exciting moment, just before the premiere, filled with anxiety and catharsis. The film is premiering at the Alamo […]
by Filmmaker Staff on Mar 16, 2010
