By the sound of it, “languish, from the Latin “languere,” meaning loose or lax, is sexy. It’s old-timey yet coolly sexy: Monica Vitti staring down giant waves in an Antonioni film. Except when used to describe a feature or series in development, that is, when it becomes trouble. Past the giddy rendezvous of filmmakers and industry types at the 2016 IFP Film Week, “languish” is a dirty dirty word no one would touch with a 10-foot boom pole. As participants head back to the trenches and roll up their sleeves, we wonder: will the new connections lead to a walk […]
by Isabel Sandoval on Sep 27, 2016Read Part One of Isabel Sandoval’s IFP Film Week Diary, “The Female Gaze, Anyone?”, here. Forget Project Greenlight. If anyone wants to do a reality series based on the No Borders pitch meetings, it would be a more grizzled Swingers meets The Hunger Games — but with lookbooks subbing for bows and arrows. The thing is, I’m sure somebody actually used that logline for their own project. The proceedings have a jovially survivalist element to them. While my No Borders project Lingua Franca is my third feature, it’s my first U.S. production so Film Week doubles as Indie Film Financing […]
by Isabel Sandoval on Sep 23, 2016Me and You and Everyone We Know. Pariah. Obvious Child. Lingua Franca. The first three titles? Music to my ears. That last one? Sounds like Beethoven’s Symphony No. 5 to me, mostly because it’s my third feature screenplay (and English-language debut). It’s also been selected for No Borders at IFP Film Week, where those amazing films got their start. As a NYC-based Filipina filmmaker, I can’t be in better company this week. My debut feature, Senorita, a pulpy political noir that’s a love child of Fassbinder’s Lola and late-’90s Almodovar, had its world premiere in competition at Locarno. It has […]
by Isabel Sandoval on Sep 17, 2016