In 1977, a characteristically fervid Philip K. Dick arrived to lecture at a science fiction convention and share his experiences from three years earlier, when he became convinced that the world was a simulation, one of many (“there may be 30 or 3,000 of them”) operating simultaneously, glimpses of which he’d seen. Clips from this speech (“If You Find This World Bad, You Should See Some of the Others”) and the Q&A that followed frame Rodney Ascher’s A Glitch in the Matrix. In the five-chapter (plus an epilogue) dive into the world of “simulation theory,” Ascher focuses on five subjects […]
by Penny Lane on Feb 10, 2021Part 1: Notes on a Quote Like all great adventures, it began with a grammar dispute. In preparation for the film festival premiere of my film The Pain of Others, I was recently preparing the online edit. The online edit is a sort of crossing-the-Rubicon moment, primarily marked by the dawning horror that the time has come to accept all of your artistic choices because there’s no turning back from them now. (No really, the film is great.) One of the things on my to-do list was to check the quotation serving as epigraph. The quotation was: “One of the […]
by Penny Lane on Jan 30, 2018Let’s talk about bad documentaries. I don’t mean mediocre or boring documentaries; I mean documentaries so bad that viewers say, “That’s not even a documentary!” I mean the kind of badness so bad as to be ontologically bad. Of course, this sort of ontological badness can be both intentional and unintentional. The intentionally bad dare you to ask whether they are really documentaries. They are bad like Michael Jackson — transgressive and provocative. Or, they’re bad like “bad feminist” Roxane Gay — contradictory and purposefully uncertain. This type of badness is an impossibly broad category, but I am thinking, for […]
by Penny Lane on Jun 19, 2017Since Election Day, many in the documentary community have been asking the question, “What do we do now?” The most common response is, “We need to make great politically-engaged films.” I hope a lot of people do exactly that; I might even do it myself. Okay, I probably won’t. My answer is a lot more basic: we need to love, seek and defend truth. I’m not fucking around, you guys: the truth might be hard to find sometimes, but it exists, and it is crucially important to the survival of our species. As plainly stated by the great moral philosopher […]
by Penny Lane on Dec 13, 2016A work of art teaches you how to look at it. It builds its own user guide. In nonfiction, the user guide includes such FAQs as: how should one interpret this work of art’s relationship to reality? What type of trust should a viewer grant or deny it? And how does this film conceive of truth and beauty, which are sometimes but not always the same thing? Some documentaries come with confusing manuals. Some are purposely confusing; others are just confused. These films are “problematic” in the way they subvert expectations about the terms of the documentary promise. They push […]
by Penny Lane on Nov 3, 2016The thought stabbed itself into my mind, an ice-pick of fear: But what if I’m wrong? This was back in March. I had taken a short vacation from the hell of constant uncertainty in order to write an open letter to the Tribeca Film Festival about an anti-vaccination film called Vaxxed, directed by Andrew Wakefield. The letter contained the following premises: 1. Vaccines do not cause autism. 2. Wakefield is a well-known anti-vaccination quack. 3. Vaxxed is bullshit. I wrote the letter bolstered by the conviction that my premises were right, so I was pleased the letter received so much […]
by Penny Lane on Oct 13, 2016Part I: Notes on the Footnote “Woe to details! Posterity neglects them all; they are a kind of vermin that undermines large works.” –Voltaire About a year or so ago I began to think about footnotes. First I wondered if I should write footnotes for the film (NUTS!) I was in the final stages of completing. Then I wondered if footnotes might be useful to the field of nonfiction cinema more generally. What purposes might such a practice serve? This question excited me tremendously. It felt unmistakably like an idea whose time had come. I started blabbing ignorantly about footnotes […]
by Penny Lane on Sep 6, 2016Tribeca Film Festival, I love you but you made a very serious mistake. On Monday, the widely discredited and dangerous anti-vaccination quack Andrew Wakefield tweeted: “Haven’t posted forever. Huge news tomorrow.” Perhaps he hadn’t “posted forever” because the media finally stopped giving him a megaphone. Perhaps once people in America and England began dying of measles, journalists finally realized that the “two sides to every story” approach granted Wakefield was literally killing people. Last I heard, Wakefield was headlining Conspira-Sea, a seven-day cruise where passengers learn about crop circles, chemtrails, yogic flying, ESP and astrology. Good, I thought, that’s where […]
by Penny Lane on Mar 24, 2016The first rule of Film Week is that if you have time to blog during Film Week, you’re probably not doing it right. The second rule of Film Week is that if you attend, the best part is that you will meet all kinds of awesome people making awesome films. This may intimidate you. It’s okay. Be cool. I guess that’s the third rule of Film Week, bro: just be cool. When the good folks at Filmmaker Magazine asked me to blog about Film Week again this year, I knew I wanted to write about some of the awesome people making awesome […]
by Penny Lane on Sep 26, 2012The first rule of Film Week is that if you have time to blog during Film Week, you’re probably not doing it right. The second rule of Film Week is that if you attend, the best part is that you will meet all kinds of awesome people making awesome films. This may intimidate you. It’s okay. Be cool. I guess that’s the third rule of Film Week, bro: just be cool. When the good folks at Filmmaker Magazine asked me to blog about Film Week again this year, I knew I wanted to write about some of the awesome people making awesome […]
by Penny Lane on Sep 25, 2012