After four print issues, hundreds of online articles and a few dozen weekly newsletters, Filmmaker wraps 2014. I’m proud of our content this year and look forward to, alongside our writers and other editors, making it even stronger in the next year. Below you’ll find an issue-by-issue breakdown of the year, with links to highlights from each print edition. Following that are two Top Tens — the first is our list of most-read online pieces published in ’14, and the second our top reads from the archives. There’s a holiday weekend worth of reading here easily; thanks for following Filmmaker […]
by Scott Macaulay on Dec 31, 2014Feature and music video director Mark Pellington has released via Nowness a short film, Honesty, that adapts the words of poet David Whyte. Here’s Pellington: “The words written by David blew me away. They don’t preach but they speak their own beliefs in a very strong and challenging way. Each person was cast randomly having no knowledge of the essay. They were only asked if they had experienced loss. They entered the room four at a time and were asked to simply walk forward, stand in front of the camera and listen to the soundtrack–the poem read by David accompanied […]
by Scott Macaulay on Dec 29, 2014At this past summer’s Frameline festival, where their Go Fish received its 20th Anniversary Screening, actress and writer Guinevere Turner and director Rose Troche interview filmmaker Jenni Olson about her Sundance-bound documentary, The Royal Road. Topics include Olson’s influences (including Chantal Akerman, James and Sadie Benning), archival documentary practice, urban landscapes and shooting on 16mm film. Check it out above.
by Scott Macaulay on Dec 24, 2014Here’s an elegant and understated supercut from Jacob T. Swinney, scored with a meditative cue by Trent Reznor and Atticus Ross. Alongside some of the big Hollywood titles — Interstellar, Godzilla — are a number of indies and foreign films like Blue Ruin, Ida and White Bird in a Blizzard. Check it out.
by Scott Macaulay on Dec 24, 2014The year’s most fascinating entertainment story gets even more so today, as the Seth Rogen/James Franco North Korea-baiting The Interview becomes available for online rental and purchase via YouTube, Google Play and Sony’s own site, with a limited theatrical release occurring tomorrow. (As I post this, Sony’s site just reveals the film’s poster art.) Only days after issuing a statement saying the studio “had no plans” to release the film, it has suddenly become the poster child for the day-and-date exhibition of a studio release — a distribution strategy the theater chains have been balking at for years. From Todd […]
by Scott Macaulay on Dec 24, 2014“How do I find a producer?” It’s a question asked by many first-time independent writer/directors, and there’s good reason this seemingly simple query is so vexing. Screenwriters selling commercial screenplays and directors seeking employment on Hollywood pictures are guided by standard, usually market-based protocols. But it’s not so easy for budding independent auteurs — those without agents, managers or box-office track records. For them, partnering with a producer is as much about building a personal relationship as scoring a business transaction. At least, that’s what a number of producers interviewed here likened it to. Mary Jane Skalski (Very Good Girls, […]
by Scott Macaulay on Dec 21, 2014As Borscht 9 — Miami’s delirious cinematic fete comprising afternoons spent in the middle of the ocean, machete fencing and bike rides to the multiverse — hits its midpoint, Borscht Corporation releases to Filmmaker one of its recent short films, Sea Devil. Sea Devil, directed by by Dean C. Marcial and Brett Potter of Calavera Films, was screened in work-in-progress form at Borscht 8 and now it’s having its online premiere here on the site. Winner of the Bronze Audience Award at Fantasia 2014, Sea Devil is the story of a fisherman smuggling Cuban immigrants into Miami, a mysterious stranger […]
by Scott Macaulay on Dec 19, 2014“To try to write love is to confront the muck of language; that region of hysteria where language is both too much and too little, excessive (by the limitless expansion of the ego, by emotive submersion) and impoverished (by the codes on which love diminishes and levels it).” Roland Barthes, A Lover’s Discourse. The muck of romantic language — spoken, inscribed on the body and splattered, along with images, on the screen — is the subject of Leah Shore’s latest short film, I Love You So Much. Shore made our 25 New Faces list back in ’13, and I Love […]
by Scott Macaulay on Dec 19, 2014CPH:DOX is like a strange dream. That dream where you wake up and everyone understands that artistically motivated documentaires have a place, have meaning, are celebrated. And frankly the weirder the better. The pitch forum at this Copenhagen-based documentary festival is no exception. Coming up on its fourth year, it is the home of the eccentric doc sibling. The one that confounds and delights, and maybe has broadcast potential, but maybe could also play in an art gallery. In its beautiful peculiarity, the CPH:DOX forum stands out strongly from most of the other pitch forums that abound on the documentary […]
by Scott Macaulay on Dec 17, 2014The New Yorker streams short films — who knew? This discovery is particularly welcome because just posted on the magazine’s YouTube channel — and embedded above — is Dustin Guy Defa’s terrific Person to Person, one of the works that landed the filmmaker on our 25 New Faces list this year. Here’s Brandon Harris on the film here at Filmmaker: Speaking of throwback cinema that doesn’t simply appropriate but forges its own thing out of the familiar, Dustin Guy Defa’s Person to Person is a film one could watch a dozen times. Assuming he doesn’t change the Vimeo password and […]
by Scott Macaulay on Dec 16, 2014