From filmmaker and Davey Foundation board member Dustin Guy Defa comes word of the upcoming deadline for the Davey Foundation, which will give three grants to filmmakers 35 years and younger for the production of short films. Ben Kegan’s The First Men won the Davey’s single grant last year. This year, two grants have been added, and the awards mix cash with in-kind services and mentorship. Full details below: The Davey Foundation was created to honor the life of David Ross Fetzer and his commitment to the film and theater arts. For 2015, the foundation is handing out three short […]
by Scott Macaulay on Mar 2, 2015
When, in 2013, I spoke to Dean Fleischer Camp about his exquisitely deadpan web series, Catherine, created with Jenny Slate, I immediately wanted to know about its production design. How did he come up with its uncannily bland, generically discomforting visual spaces? The director told me that his inspirations included the ’90s TV show Kids in the Hall as well as Lars von Trier’s The Kingdom, but that part of the show’s visual aesthetic came from the porn-movie sets he was renting as a location. Now, Camp writes with word of a new project that furthers the aesthetic he’s been […]
by Scott Macaulay on Mar 2, 2015
Followed by what promises to be an amazing discussion between filmmakers and subjects alike, John Lucas’s documentary The Cooler Bandits will be screened Thursday, February 26 in New York at Columbia University. The event is free and open to the public. For Filmmaker, Alix Lambert wrote about the film and talked to Lucas while The Cooler Bandits was in post-production. An excerpt: The Cooler Bandits is the film’s title as well as the crew consisting of Charlie, Donovan, Frankie, and Poochie, who were all teenagers in 1991 when they spent the better part of the year robbing restaurants. Collectively they […]
by Scott Macaulay on Feb 24, 2015
There are resources to help you pitch your screenplay, and even articles for writers and directors on how to behave at a general meeting, but a broader discussion of how producers, directors and anyone else in the film business should play it when work talk moves off email to IRL is strangely absent from our tutorial landscape. Our friends at Tangerine Entertainment, Amy Hobby and Ann Hubbell, aim to change that with their workshop, “How to Take a Meeting,” occurring at the IFP’s Made in New York Media Center on March 3. Full information is below, and note the special […]
by Scott Macaulay on Feb 24, 2015
Documentary director Bruce Sinofsky, whose Paradise Lost Trilogy collaborations with Joe Berlinger caused the release of the wrongly-convicted West Memphis Three, died this morning of complications from diabetes. Sinofsky’s passing was reported by Berlinger on Twitter. Sinofsky and Berlinger were nominated for an Academy Award in 2011 for the final film in the Paradise Lost trilogy, Paradise Lost 3: Purgatory — the culmination of a filmic and legal odyssey that began in 1996 with Paradise Lost: The Child Murders of Robin Hood Hills. In a 2011 Filmmaker interview, Sinofsky remembers the series beginning: When we went down to Arkansas, for […]
by Scott Macaulay on Feb 21, 2015
“A new way to watch films” is what the venerable platform for short films, Short of the Week, promises in its freshly relaunched edition, online now. Founders Andrew S. Allen and Jason Sondhi have done a top-to-bottom redesign — a clean look that also makes both searching and streaming easier. Indeed, the new Short of the Week acknowledges that a viewer today is as likely to watch a short on a large phone or streamed through a device like Chromecast to a television as on a laptop window. Filmmaker readers should recognize both Allen and Sondhi’s names as the two […]
by Scott Macaulay on Feb 19, 2015
Here’s a nifty behind-the-scenes featurette on the iPhone 6 shooting of Tristan Pope‘s short film, Romance in NYC. The film is shot entirely from the first-person perspective, like Lady in the Lake and Enter the Void, and the mobility of the iPhone enabled the director/camera operator to play the role of the first-person protagonist. As you’ll see in the video, Pope lets his own hands and arms enter and exit frame, aided by variety of gear — including a Gorillapod — as well as well-choreographed production assistants.
by Scott Macaulay on Feb 17, 2015
Pioneering electro-disco band Sparks just wrapped a two-night stint in Los Angeles of an orchestral concert version of their pioneering 1974 album Kimono My House. In an interview with Chris Willman at Billboard, the band (brothers Ron and Russell Mael) teases two upcoming film projects. The first is with Guy Maddin, news of whom seems to regularly filter out into the film blogosphere. The second, however, is with Leos Carax, who usually holds his upcoming project cards closer to the vest. Here’s Russell Mael on both projects: The other thing we’ve been doing is two movie musical movie projects. One […]
by Scott Macaulay on Feb 16, 2015
Filmmaker and its parent organization IFP are seeking an Advertising Sales Associate, a salaried position based out of the IFP’s DUMBO-based office. A short description of the job is listed below, and this post will be updated with links to LinkedIn and Vediabistro when they go live. In short, though, the Advertising Sales Associate is responsible for ad sales for Filmmaker across print and web as well as IFP. IFP, a world class nonprofit devoted to independent film and its creators, seeks a mid-level Advertising Sales professional to secure revenue for its publication, Filmmaker, and online channels. The successful candidate […]
by Scott Macaulay on Feb 13, 2015
David Carr flew under my radar for a little while. I never read his book, The Night of the Gun, and my general disinterest in the Oscar Industrial Complex meant that I wasn’t a regular reader of his late aughts Carpetbagger column at The New York Times either. I had heard rumblings that there was a guy with an arresting voice and upright posture bringing an outsider (and from his basement) attitude to awards season coverage. Maybe I read a few of them, but it wasn’t until Carr sequed into his Media Equation column that he became essential to me. […]
by Scott Macaulay on Feb 13, 2015