The collaboration between the Coen Brothers and cinematographer Roger Deakins is spotlighted in this Blag Films supercut featuring moments from films such as Fargo, O Brother Where Art Thou, The Man Who Wasn’t There, True Grit, and quite a few other simply beautiful-looking films. And if these shots seem astonishingly well composed, well, then that’s due not just to Deakins’ mastery but to the Coens’ penchant for scouting, pre-production and storyboarding everything in advance. The shots in this video, with their precise time of days, frequent use of high angles and careful arrangement of what’s in the frame are clearly […]
by Scott Macaulay on Aug 3, 2014Filmmaker Alessio Fava, whose Yuri Esposito was one of the inaugural films at the Venice Biennale College Cinema, has directed this ironic, fantastical social media campaign about… selfie abuse. (I supposed whether that abuse is self-abuse or abuse towards others might depend on the shooter/subject.) This video has gone viral in Fava’s native Italy; check it out above.
by Scott Macaulay on Aug 1, 2014Now in its seventh year, the multidisciplinary Wassaic Project’s Summer Festival — whose 2014 edition opens today — offers an intimate screening experience where independent films by emerging filmmakers mix with art, music, dance and the great outdoors. It’s probably the only festival where films are projected in a Cattle Auction Ring, a fact doubly surprising given the festival’s location just two hours from New York on Metro North’s Harlem Line. The Wassaic Project is a non-profit that has as its mission the creation of “genuine and intimate context for art making and strengthening local community by increasing social and […]
by Scott Macaulay on Aug 1, 2014At 1985, Evan Louison sits down in Rome with Abel Ferrara, learning more about the director’s Pasolini, starring Willem Dafoe as the murdered Italian director. Below Ferrara talks about the film’s relationship to fiction, non-fiction, imagination and the subconscious. Read the complete interview at the link. AF: He was a part of a tradition, a movement — Rosselini, Antonioni, & Bertolucci after that. I’m sure if you’re hard pressed you could call it all the same style. These guys are working with the same DPs, & a lot of the same actors. He wasn’t the only one using guys right […]
by Scott Macaulay on Jul 30, 20144K — a spec, or perhaps an aesthetic? Plenty of us are shooting in older, lower-resolution cameras, but others are buying new units that offer double — or more — the resolution we shot just a few years ago. Our images are finer, more detailed… but how else are they different? Sharp, along with RED and THX, are for the second year presenting “The Art of Amazing 4K Film Competition,” a short competition exploring the aesthetics of 4K cinematography. From the contest’s site: We are seeking short 4K films (10 minute maximum) that capture the full potential of an amazing […]
by Scott Macaulay on Jul 29, 2014As someone old enough to remember the visceral theater experience of Road Warrior as well as the kitschy letdown of Mad Max: Beyond Thunderdome, count me intrigued and hopeful after this first trailer for George Miller’s franchise reboot, Mad Max: Fury Road. There’s plenty that’s familiar from the series here, but replacing the dusty grain of the original films are DI-enhanced oranges and blues that give some of these shots a near-abstract quality. Still, when it comes to effects, Miller told the L.A. Times that he’s gone for the practical approach: Well, we made a big, big point to go […]
by Scott Macaulay on Jul 27, 2014The life and final days of Michael C. Ruppert — author, 9/11 Truther, podcaster and prophet of economic collapse — are chronicled by The Verge’s Mat Stroud in a fascinating, quite sad story. Filmmaker readers will remember Ruppert from Chris Smith’s 2009 documentary, Collapse, in which the author discussed his theories of societal collapse in the decades following “peak oil” — the moment in which there is less oil in the ground than has been used by mankind. For Smith, however, the documentary was as much about Ruppert the man as his work. In an interview with Brandon Harris, Smith […]
by Scott Macaulay on Jul 22, 2014What’s in the summer issue of Filmmaker? Well, first of all, our 2014 25 New Faces, but you already knew that. (If you didn’t, click here and find out who they are.) But there’s a lot more to be found in our print edition. On the cover is Rick Linklater’s chrono-masterpiece, Boyhood. My interview is 5,000 words or so, and maybe the best things about it are just the rhythms of Linklater’s voice and the little bits of filmmaking — and life — wisdom he departs along the way. Our Managing Editor, Vadim Rizov, has been obsessively checking out all […]
by Scott Macaulay on Jul 20, 2014If you’re looking for where movie marketing is in 2014, this is it. Last night Beyonce posted to her Instagram a short 15 second teaser for Sam Taylor Wood’s anticipated 50 Shades of Grey, whose official trailer is due to drop this week. A balcony, thigh caress and a key in the lock, scored to a stripped down “Crazy in Love” — that’s all it is, but the simulated intimacy of the Instagram platform and Bey’s implied endorsement (as well as her high, but tastefully hidden, follower count) make this a better buy for Universal than any network TV buy.
by Scott Macaulay on Jul 20, 2014Good is the man who inspires the words “persuasively ambivalent” in a New York Times obituary. Actor James Garner died last night in his California home of natural causes. Long before I’d discover as a suburban teenager Elmore Leonard or Altman’s The Long Goodbye there was Jim Rockford, the Malibu p.i. with his trailer home on the beach, troublemaking ex-con pal, on-again, off-again lawyer girlfriend. It seemed like a way to live. From the Times: “Maverick” had been in part a send-up of the conventional western drama, and “The Rockford Files” similarly made fun of the standard television detective, the […]
by Scott Macaulay on Jul 20, 2014