Over the years Sundance has steadily increased its support for young independent film producers, with the more recently created Creative Producing Lab & Fellowship as loved by producers as the Screenwriting and Directing Labs are loved by writers and directors. (Don’t believe me? Well, here’s producer Gabrielle Nadiq on the program in 2013: “The Sundance Creative Producing Lab changed my life… I have never been a part of a program that was so nurturing, generous, uplifting, and reinvigorating. Nor have I had an experience that so completely broke me down and built me back up as a filmmaker.”) The program […]
by Scott Macaulay on Nov 21, 2014
David Lynch can be a tough interview — check out my attempt back in 2001. Patti Smith does a bit better in this joint interview on the BBC2 Newnight’s Encounters series. They both discuss their memories first hearing the song “Blue Velvet,” and Smith’s reflexive lyricism brings out something allied in Lynch. Check it out.
by Scott Macaulay on Nov 21, 2014
The biggest, the smallest, the most, the more-times-than-anyone-else — filmmaker Sam Green has revisited a common childhood fascination, The Guiness Book of World Records, for his latest “live documentary,” The Measure of All Things, receiving its New York premiere at The Kitchen this week. It’s Green’s third work combining film, music and his own on-stage narration — a hybrid film/theater form that’s proved surprisingly popular in performing arts venues around the world. Indeed, when so many filmmakers are trying to figure out a “new model” for their work, Green has turned himself into a touring artist, finding new, less jaded […]
by Scott Macaulay on Nov 20, 2014
Currently raising funds on Indiegogo is an ambitious animated feature by filmmaker Ann Marie Fleming, Window Horses. With a lead character voiced by Sandra Oh, the film uses the medium of poetry to explore ideas of cross cultural exchange. From their Indiegogo page: In this coming-of-age story, Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all […]
by Scott Macaulay on Nov 20, 2014
Blood can’t be any other color, but there are plenty of things — like spacesuits and bathroom walls — that can. In this punchy, to-the-point supercut, Rishi Kaneria draws from 2001, Full Metal Jacket, The Shining, Barry Lyndon and other Kubrick films to make a case for the director’s love of the crimson.
by Scott Macaulay on Nov 19, 2014
“There are a lot of things I like about your project, but the effects on the videos are not one of them.” “How is this different from Second Life?” “Your video — it’s kind of boring.” Participating in a hackathon, like POV’s which wrapped Sunday, Nov. 9, means opening yourself up to blunt feedback. Forty-eight hours of project development and rapid prototyping, POV’s hackathons pair documentary filmmakers with mentors and programmers and task them with extending non-fiction storytelling beyond the cinema (or television) walls. This month’s event — POV’s seventh — concluded with the five selected teams presenting their projects […]
by Scott Macaulay on Nov 18, 2014
“We have to make artful films,” declared Tabitha Jackson at this morning’s DOC NYC keynote. Her thoughtful and engaging address — accompanied, half-jokingly, by what she dubbed her first attempt at Powerpoint — was filled not with statistics about audience reach or NGO partnerships but instead illustrations drawn from documentaries as well as poetry, visual art and experimental films. Indeed, this Director of the Sundance Documentary Film Program — one of the field’s most important funders — could not have been clearer about the direction she intends to bring to the program when she said, to applause, “The lingua franca […]
by Scott Macaulay on Nov 17, 2014
Within an overly crowded film festival landscape, it takes something special for a new event to stand out. Such is the case with New York’s newest festival, scheduled for February, 2015: the New York City Drone Film Festival. While the FAA’s drone filming rules are still being developed, festival founder and cinematographer Randy Scott Slavin intends to use the event to celebrate robotic aerial filmmaking and to change the public’s perception of drones. He told the New York Post’s Chris Perez, ““These flying robots are amazing and exciting technologies, but because the word drone is so controversial, its constantly being […]
by Scott Macaulay on Nov 16, 2014
Sometimes enemies can be misperceived as friends… and vice versa. From Portland animation studio HouseSpecial is this short, A Tale of Momentum and Inertia, directed by Kameron Gates showing why the “shoot first, ask questions later” approach isn’t always the best. Gates has previously contributed effects works to such films as Star Wars: Attack of the Clones, King Kong and Hellboy. The short is currently on the festival circuit, but you can watch it above.
by Scott Macaulay on Nov 16, 2014
There’s a lot of talk in the independent film community about building new audiences through internet technologies but far fewer actual attempts at doing so. One person who has thought deeply about today’s challenges and developed a tool in response is filmmaker Artel Great, whose Project Catalyst attempts to combat “the Hollywood-ification of our thinking” by connecting multicultural audiences to the music and films most relevant to their lives and communities. It is, he writes, “the first application software to distinctively showcase narrative short films, documentaries, and music videos all made by talented indie artists from Black, Latino/a, and Asian […]
by Scott Macaulay on Nov 16, 2014