Here’s an elegant and understated supercut from Jacob T. Swinney, scored with a meditative cue by Trent Reznor and Atticus Ross. Alongside some of the big Hollywood titles — Interstellar, Godzilla — are a number of indies and foreign films like Blue Ruin, Ida and White Bird in a Blizzard. Check it out.
by Scott Macaulay on Dec 24, 2014
The year’s most fascinating entertainment story gets even more so today, as the Seth Rogen/James Franco North Korea-baiting The Interview becomes available for online rental and purchase via YouTube, Google Play and Sony’s own site, with a limited theatrical release occurring tomorrow. (As I post this, Sony’s site just reveals the film’s poster art.) Only days after issuing a statement saying the studio “had no plans” to release the film, it has suddenly become the poster child for the day-and-date exhibition of a studio release — a distribution strategy the theater chains have been balking at for years. From Todd […]
by Scott Macaulay on Dec 24, 2014
“How do I find a producer?” It’s a question asked by many first-time independent writer/directors, and there’s good reason this seemingly simple query is so vexing. Screenwriters selling commercial screenplays and directors seeking employment on Hollywood pictures are guided by standard, usually market-based protocols. But it’s not so easy for budding independent auteurs — those without agents, managers or box-office track records. For them, partnering with a producer is as much about building a personal relationship as scoring a business transaction. At least, that’s what a number of producers interviewed here likened it to. Mary Jane Skalski (Very Good Girls, […]
by Scott Macaulay on Dec 21, 2014
As Borscht 9 — Miami’s delirious cinematic fete comprising afternoons spent in the middle of the ocean, machete fencing and bike rides to the multiverse — hits its midpoint, Borscht Corporation releases to Filmmaker one of its recent short films, Sea Devil. Sea Devil, directed by by Dean C. Marcial and Brett Potter of Calavera Films, was screened in work-in-progress form at Borscht 8 and now it’s having its online premiere here on the site. Winner of the Bronze Audience Award at Fantasia 2014, Sea Devil is the story of a fisherman smuggling Cuban immigrants into Miami, a mysterious stranger […]
by Scott Macaulay on Dec 19, 2014
“To try to write love is to confront the muck of language; that region of hysteria where language is both too much and too little, excessive (by the limitless expansion of the ego, by emotive submersion) and impoverished (by the codes on which love diminishes and levels it).” Roland Barthes, A Lover’s Discourse. The muck of romantic language — spoken, inscribed on the body and splattered, along with images, on the screen — is the subject of Leah Shore’s latest short film, I Love You So Much. Shore made our 25 New Faces list back in ’13, and I Love […]
by Scott Macaulay on Dec 19, 2014
CPH:DOX is like a strange dream. That dream where you wake up and everyone understands that artistically motivated documentaires have a place, have meaning, are celebrated. And frankly the weirder the better. The pitch forum at this Copenhagen-based documentary festival is no exception. Coming up on its fourth year, it is the home of the eccentric doc sibling. The one that confounds and delights, and maybe has broadcast potential, but maybe could also play in an art gallery. In its beautiful peculiarity, the CPH:DOX forum stands out strongly from most of the other pitch forums that abound on the documentary […]
by Scott Macaulay on Dec 17, 2014
The New Yorker streams short films — who knew? This discovery is particularly welcome because just posted on the magazine’s YouTube channel — and embedded above — is Dustin Guy Defa’s terrific Person to Person, one of the works that landed the filmmaker on our 25 New Faces list this year. Here’s Brandon Harris on the film here at Filmmaker: Speaking of throwback cinema that doesn’t simply appropriate but forges its own thing out of the familiar, Dustin Guy Defa’s Person to Person is a film one could watch a dozen times. Assuming he doesn’t change the Vimeo password and […]
by Scott Macaulay on Dec 16, 2014
Working nights and weekends while in Detroit shooting Oz the Great and the Powerful, James Franco turned what started out as directing exercise into an unusual anthology film directed by a dozen students from his NYU Graduate Film School class. Based on the life and poems of C.K. Williams, The Color of Time is unlike most anthology films in that its sections are intercut with each other, and it’s unlike most film school-derived works in that it stars A-list talent like Franco, Mila Kunis and Jessica Chasten. The film itself, however, is no by-the-numbers biopic; instead, it seeks to translate […]
by Scott Macaulay on Dec 12, 2014
December 17 – 21 I should be concentrated on Christmas shopping, but I’ll be at Borscht 9 in Miami. (Sorry, friends and family.) Borscht 8 was my favorite film event of 2012, and I can’t wait for this year’s edition. What’s Borscht? (Aside from a soup?) Here, from the site: The Borscht Film Festival (est. 2004 by New World School of the Arts high school students) is a quasi-yearly event held at iconic Miami venues that commissions, produces, and showcases movies created by emerging regional filmmakers telling Miami stories that go beyond the city’s insipid exterior. Borscht Corp is an […]
by Scott Macaulay on Dec 10, 2014
Regarding her eccentrically beautiful messaging app Somebody, Miranda July has posted this video with Carrie Brownstein about its v.2. “Over the next few months we will be making Somebody 2.0,” she writes. “It’s just like Somebody 1.0 but it works.” If you don’t know about Somebody, it’s an iOS app (Android coming, says July in this video) that allows you to send a communication to someone via a nearby third party, who delivers that message in person. Still confused? Well, Somebody was the subject of a new podcast, Reply All — the second from podcasting startup Gimlet Media. Watch above […]
by Scott Macaulay on Dec 7, 2014