In this fascinating short interview released by The Criterion Collection, legendary D.P. Michael Ballhaus discusses working with Rainer Werner Fassbinder on one of the director’s best films, The Bitter Tears of Petra von Kant. After talking about how Fassbinder didn’t like to shotlist, Ballhaus describes one particularly difficult move and the director’s reaction when it wasn’t done just the way he wanted it. And even if Ballhaus weren’t an erudite interview, the clips alone here would be worth watching. The Bitter Tears of Petra von Kant is now out in standard def and Blu Ray from Criterion.
by Scott Macaulay on Jan 18, 2015
Ruben Ostlund’s Force Majeure is one of my top films of the year, so I share — albeit not to the same degree — the disappointment of Ostlund and producer Erik Hemmendorff over the film’s failure to be nominated for a Best Foreign Language Film Oscar. But it is their reaction, not mine, that is liveblogged, as they video’d their watching the nominations and then their post-announcement reaction. The joke — if it is indeed one — is contingent on you having seen Force Majeure. However, even if you haven’t, the relative banality of the video, which documents the paltry […]
by Scott Macaulay on Jan 16, 2015
If you noticed that Steven Soderbergh watched Stanley Kubrick’s 2001 three times in 2014, here’s the reason why: he was working on his own recut. Just as he did with Raiders of the Lost Ark, Soderbergh has worked over Kubrick’s masterpiece and he’s posted his version over at his Extension 765 website. He sets the bar high for his adaptation: i’ve been watching 2001: A SPACE ODYSSEY regularly for four decades, but it wasn’t until a few years ago i started thinking about touching it, and then over the holidays i decided to make my move. why now? I don’t […]
by Scott Macaulay on Jan 14, 2015
Desiree Akhavan, a Filmmaker 25 New Face whose debut feature, Appropriate Behavior opens Friday, is the guest on the latest episode of Death, Sex and Money. I will be honest — as someone who interviews a lot of directors for a living, I often won’t listen to film directors interviewed elsewhere. But I make an exception when Anna Sale is the interviewer. She is expert at gently drawing out honest revelations from her interviewees about areas that most other interviewers (including me) won’t venture into. Here’s an exchange in which Akhavan talks with Sale about the pressure she feels as […]
by Scott Macaulay on Jan 14, 2015
Michael Madsen’s “documentary from outer space” is at the top of our viewing list at Sundance this year. As it is described by production company NGF: THE VISIT is a documentary with comedy elements, and a philosophical exploration of our fear of strangers through the ultimate threat to our self-image: The discovery of Alien Intelligent Life. In Vienna lies the UN-city, with its late 1970’s architecture and its extra-territorial status not unlike a giant spacecraft that has landed in the middle of the civilized world. Inside this impressive institution representing our belief in humanity, resides the UN Office of Outer […]
by Scott Macaulay on Jan 14, 2015
While it may not be as consciously constructed as that of Quentin Tarantino’s, the film meta-world of Martin Scorsese would seem to at some point demand the pairing of his two most durable leading men, Robert De Niro and Leonardo DiCaprio. That time is now, apparently, as the two men appear in a short branded content film for the $3.2 billion City of Dreams casino in Manila Bay, Philippines. It may not be what we wanted, but it shouldn’t pass by unnoticed. The trailer for the film, The Audition, is posted above. Both actors have been reported to have received […]
by Scott Macaulay on Jan 14, 2015
A bit of synergy as two things crossed my screen this morning: a query from a prospective writer and this article from Paul Bradshaw and the Online Journalism blog. Taken together they got me thinking about pitching, new writers and Filmmaker. The query was from a perfectly polite, well-spoken individual who self-identifies as a “blogger” and a “geek” and who sincerely wants to write for us. Absent from the email were a) any link to any previously published work; b) any sort of biographical information denoting the person’s specific expertise or area of interest; c) any specific suggestions of work […]
by Scott Macaulay on Jan 12, 2015
Premiering on Wednesday, January 14 is She Does, a podcast focusing on the creative lives of women working in the media created by filmmakers Elaine Sheldon and Sarah Ginsburg. As the podcast’s mission statement explains, “Going beyond their current career status, we explore each woman’s past to understand how their personality, background and philosophy informs their work.” Interestingly, the podcast is not discipline-specific, including not just filmmakers but technologists, designers, journalists, musicians and more. In addition — and impressively, given the purely independent, DIY nature of this series — Sheldon and Ginsburg are bringing an artistic polish to She Does, […]
by Scott Macaulay on Jan 12, 2015
For low-budget filmmakers, the cost of hiring SAG actors has just gotten higher. Yesterday, as reported by Deadline, the SAG-AFTRA national board of directors approved a new contract paying actors working under three low-budget agreements a 25% raise. The ultra-low-budget agreement, for films under $200,000 dollars, such as Dan Mirvish’s Between Us (pictured above), now requires producers to pay actors $125 a day, up from $100. The modified low-budget agreement now has a daily minimum of $335 and weekly rate of $1,166 (up from $268 and $933, respectively). And the low-budget contract, covering films less than $2.5 million sees rates […]
by Scott Macaulay on Jan 11, 2015
Fox Searchlight has struck early, acquiring Noah Baumbach’s highly anticipated Mistress America two weeks before its premiere at the 2015 Sundance Film Festival. As described in the press release, “In Mistress America, Tracy (Lola Kirke) is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke (Greta Gerwig) – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke’s alluringly mad schemes.” The film is written by Baumbach […]
by Scott Macaulay on Jan 9, 2015