Creative Capital, the granting and artist support organization, announced today its 2015 awardees in the categories of Moving Image and Visual Arts. Out of 3,700 submitted proposals, 46 projects were funded with the 50 supported artists ranging in age from 28 to 80. More than half our women, and and more than half identify as non-European American. Among the grantees are a number of artists who will be recognized by the Filmmaker readership. Here are just a few of them. Veteran director Michael Almereyda receives his first Creative Capital grant for a series of short films based on Italian folktales. […]
by Scott Macaulay on Jan 7, 2015
In a new annual lunchtime ceremony, Cinema Eye Honors awarded today the Filmmaker-sponsored Heterodox Award to Richard Linklater’s Boyhood and feted Jennie Livingston’s Paris is Burning with its Legacy Award. Linklater as well as Livingston and her collaborators were all on hand to accept their awards at midtown’s Etcetera Etcetera. Of the divide between documentary and fiction, Linklater, who was on hand to accept the award, said, “I don’t even call it ‘a blurry line’… I’ve never really drawn a particular line between documentary and fiction.” Continuing, he said, “[Boyhood] is not a documentary but it’s certainly a document. It’s […]
by Scott Macaulay on Jan 6, 2015
Via Cinelicious, Adam Rifkin’s documentary on DIY filmmaker Giuseppe Andrews, Giuseppe Makes a Movie, gets a New York theatrical run this month at the Anthology Film Archives via Cinelicious, the distributor who recently opened Josephine Decker’s films. Check out the trailer above. Wrote Lauren Wissot when she intro’d an interview with Rifkin here at Filmmaker: A veteran of both Hollywood and indie film, Adam Rifkin, on the other hand, is a name familiar to any fan of the 1999 cult comedy Detroit Rock City, which Rifkin directed, and which starred Andrews alongside Edward Furlong. Now Rifkin and Andrews have teamed up again […]
by Scott Macaulay on Jan 6, 2015
Winning the prize for the best entry in the Borscht Film Festival’s Scarface Redux contest was Florida International University student Martell Harding, whose “Shootout” is 11 intense seconds of action-figure mayhem. Borscht’s crowdsourced remake of Brian DePalma’s modern neo-classic, Scarface Redux consists of, in the vein of Star Wars Uncut, homemade clips reinterpreting the film in a variety of styles and genres. And while Borscht 9 is over, the project is continuing, with some clips yet to be covered. Meanwhile, though, the competition aspect of the project is over, with Harding’s the winning clip. The filmmaker, who is studying Communication […]
by Scott Macaulay on Jan 6, 2015In a world of countless choices — and insistent demands by others on your viewing time — the simple act of choosing a movie, a TV show, a book, a play can be fraught with indecision. After all, you only have so many hours left… For fans of Steven Soderbergh looking to step away from the algorithmic in terms of their media consumption — or just anyone looking for insight on the relationship between that director’s inputs and his output — there is his year published media diet, a list of everything he consumed the prior year. 2014’s has just […]
by Scott Macaulay on Jan 6, 2015
It’s fascinating to watch how DIY production possibilities are changing the nature of the resume and showreel. A couple of months ago we posted this video by Lawrence Rebeiro about how he was able to use a small crew to pre-viz a fight scene. Now, via James Marsh at Twitch comes this impressive fight scene produced by French/Vietnamese performer Celine Tran (formerly the adult actress Katsuni and featured in Gaspar Noe’s episode of Destricted) showcasing her knife-fighting and martial arts abilities. It’s just one of several videos created as standalones showcasing assorted fighting styles and intended to launch her as […]
by Scott Macaulay on Jan 1, 2015If you’re going to borrow, borrow from yourself… For an example, check out this well-done video by Milad Tangshir that finds visual, editing and storytelling parallels between Martin Scorsese’s 1964 student short, It’s Not You, Murray and his most recent film, The Wolf of Wall Street.
by Scott Macaulay on Jan 1, 2015
After four print issues, hundreds of online articles and a few dozen weekly newsletters, Filmmaker wraps 2014. I’m proud of our content this year and look forward to, alongside our writers and other editors, making it even stronger in the next year. Below you’ll find an issue-by-issue breakdown of the year, with links to highlights from each print edition. Following that are two Top Tens — the first is our list of most-read online pieces published in ’14, and the second our top reads from the archives. There’s a holiday weekend worth of reading here easily; thanks for following Filmmaker […]
by Scott Macaulay on Dec 31, 2014
Feature and music video director Mark Pellington has released via Nowness a short film, Honesty, that adapts the words of poet David Whyte. Here’s Pellington: “The words written by David blew me away. They don’t preach but they speak their own beliefs in a very strong and challenging way. Each person was cast randomly having no knowledge of the essay. They were only asked if they had experienced loss. They entered the room four at a time and were asked to simply walk forward, stand in front of the camera and listen to the soundtrack–the poem read by David accompanied […]
by Scott Macaulay on Dec 29, 2014
At this past summer’s Frameline festival, where their Go Fish received its 20th Anniversary Screening, actress and writer Guinevere Turner and director Rose Troche interview filmmaker Jenni Olson about her Sundance-bound documentary, The Royal Road. Topics include Olson’s influences (including Chantal Akerman, James and Sadie Benning), archival documentary practice, urban landscapes and shooting on 16mm film. Check it out above.
by Scott Macaulay on Dec 24, 2014