Authors — Scott Macaulay
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The Storm Within: Jeff Nichols’ Take Shelter
Originally published in the Fall 2011 issue. Take Shelter is nominated for Best Feature and Best Ensemble. As I write this introduction the financial press is buzzing about the BBC appearance of a trader, Allesio Rostani, who flatly stated, “I’m dreaming of a global recession.” He says he hopes — and expects — the world economy to crash. If it does, he’ll make a lot of money because he’s short the Euro and various European government bonds. There’s speculation that he’s a member of the political prankster group the Yes Men, not because of the substance of his commentary (there […]
by Scott Macaulay on Nov 25, 2011 -
ACADEMY PICKS 15 DOCUMENTARY OSCAR FINALISTS
The Academy of Motion Picture Arts and Sciences Documentary Branch Screening Committee has announced the 15 film shortlist for the Best Documentary Oscar. The selections were culled from a list of 124 eligible titles. Some Filmmaker favorites, including films by 25 New Face Directors Danfung Dennis (Hell and Back Again) and Marshall Curry (If a Tree Falls: A Story of the Earth Liberation Front) are in the mix, as are Wim Wender’s Pina, Suki Hawley and Michael Galinsky’s Battle for Brooklyn, and Joe Berlinger and Bruce Sinofsky’s Paradise Lost 3. I was sad to see more experimental docs like Bombay […]
by Scott Macaulay on Nov 18, 2011 -
25 NEW FACES: “DETROIT UNLEADED”‘S ROLA NASHEF
Originally published in the Summer 2011 issue. Detroit Unleaded is nominated for Calvin Klein Spotlight on Women Filmmakers “Live the Dream” Grant. When South Lebanon-born writer-director Rola Nashef started thinking about her film, Detroit Unleaded, there wasn’t much of a film scene in her home state of Michigan, independent or studio. Now, after several years of tax incentives and high-profile productions, she laughs, “I go to restaurants and hear people talking about their scripts.” But Nashef was inspired by Detroit long before the state’s recent production boom. The city didn’t just provide her debut feature’s location, but also its subject […]
by Scott Macaulay on Nov 17, 2011 -
“TYRANNOSAUR” STAR PETER MULLAN AND DIRECTOR PADDY CONSIDINE
When Jamie Stuart and I shot this video at Sundance this year, our jaws dropped at Peter Mullan spun out an incredibly eloquent, sustained one-take summation of Paddy Considine’s Tyrannosaur. He’s a great actor, of course, but still we were stunned at how it all just flowed. Here is that video, with Mullan and writer/director Paddy Considine talking about making a movie based on a short, dark characters, and where it all comes from. The film opens tomorrow from Strand Releasing.
by Scott Macaulay on Nov 17, 2011 -
GRAVITATIONAL PULL: MIKE CAHILL’S “ANOTHER EARTH”
Originally published in the Summer 2011 issue. Another Earth is nominated for Breakthrough Director. “It has a gentle sensibility,” says director Mike Cahill about his debut feature, the Sundance hit Another Earth. Indeed, this tale of grief, love and “Life Out There” does have a delicate touch, a sensitivity that sets it apart from the summer’s other science fiction. While in other films giant robots destroy entire cities — in 3D, no less — and romance is punctuated every 10 minutes by a train-destroying fireball, Another Earth, starring and co-written by newcomer Brit Marling, harkens back to the speculative parables […]
by Scott Macaulay on Nov 16, 2011 -
CALVIN LEE REEDER AND LINDSAY PULSIPHER OF “THE OREGONIAN”
Calvin Reeder’s trippy art-horror film The Oregonian lands in New York today for one screening at Brooklyn’s Nitehawk Cinema. When we selected Reeder for our 25 New Faces series, Mike Plante wrote: “I’m not really sure” how he arrived at his alt-horror style, Reeder says. “Just sorta roll the dice. I do love Sleepaway Camp. I just like to make movies all bent up, I guess.” Originally from Portland, Ore., and living in Seattle up until this year, Reeder played extensively with the great art-punk bands the Popular Shapes and the Intelligence. But he got notoriety, for better or worse, […]
by Scott Macaulay on Nov 16, 2011 -
THE RETURN OF MARCEL THE SHELL
Marcel the Shell with Shoes On is the totally winning animated short that placed writer/director Dean Fleischer Camp and writer/actress Jenny Slate on Filmmaker‘s 2011 25 New Faces list. (Read their profile here.) Now, the couple — and Marcel, the Montaigne of animated seashells — returns in a new short. He seems slightly cheerier than last time, and the production values are a smidgen better while not betraying the short’s lo-fi origins. There is no better way to start your morning.
by Scott Macaulay on Nov 16, 2011 -
TRAILER: DE NIRO AND DANO IN “BEING FLYNN”
Talk about a frame grab to use as the trailer image! Here’s the first trailer from Paul Weitz’s Being Flynn, an adaptation of memoir writer Nick Flynn’s Another Bullshit Night in Suck City. It stars Robert DeNiro, Paul Dano, Julianne Moore and Olivia Thirlby and will be released by Focus Features this coming Spring.
by Scott Macaulay on Nov 15, 2011 -
LAURA KENNEDY, R.I.P.
Laura Kennedy, bass player for the iconic New York punk/funk band Bush Tetras, died yesterday in Minneapolis of complications from Hep C. From Marc Campbell at Dangerous Minds: Kennedy was in the center of the musical vortex that thrived in downtown Manhattan through the 1970s and into the early 80s. It was a time in which rock and roll was stretching its wings while simultaneously banging its head against the walls and sidewalks of a city both bleak and beautiful. The Bush Tetras pulled uptown downtown and showed the Studio 54 crowd that there was some tribal thunder brewing below […]
by Scott Macaulay on Nov 15, 2011 -
Cinematographer Barry Ackroyd Talks The Hurt Locker
Cinematographer Barry Ackroyd has shot almost 50 features with numerous directors, but when it comes time to discuss his work on Kathryn Bigelow’s The Hurt Locker, his collaborations with two other helmers need to be referenced. The first is Ken Loach, the director Ackroyd is most associated with. The Manchester, England-born d.p. has shot many of Loach’s films, including Raining Stones, Ladybird Ladybird, Land and Freedom, the Palme d’Or-winning The Wind That Shakes the Barley, and his upcoming Looking for Eric. In these films he developed an unadorned, naturalistic camera and lighting style that gave them an almost doc-like verisimilitude. […]
by Scott Macaulay on Nov 14, 2011
